Materials & Techniques: line engraving / Period: 18th century / Subject Terms: religious and mythological subject

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

Figures engraved by William Sharp, 1749–1824

Niobe

1792

William Woollett, 1735–1785

Ceyx and Alcyone

1769

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Francesco Bartolozzi, 1728–1815

The Assumption Of Mary

Francesco Bartolozzi, 1728–1815

The Resurrection

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

William Woollett, 1735–1785

Dido and Aeneas

1787

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Simon François Ravenet, 1706–1774

The Good Samaritan

1772

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Print made by Francesco Bartolozzi, 1728–1815

Samson Breaking His Bands

1799

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Francesco Bartolozzi, 1728–1815

The Resurrection, St. Mary Magdalene; And Mary, Mother Of James

1782

Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

1787

unknown artist

William Robertson

1799

Print made by James Basire, 1730–1802

Benjamin Hoadly, Bishop of Winchester

1771

George Vertue, 1684–1756

Johannes Potter, Archiepiscopus Cantuariensis

1741

Print made by George Vertue, 1684–1756

Bookplate: The Spalding Gentlemen's Society

1746

Simon François Ravenet, 1706–1774

Isaac Watts

undated

Thomas Trotter, ca. 1750–1803

Jonathan Shipley, Bishop of St. Asaph

1792

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

1720

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

ca. 1787

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815

Trade Card for Thomas Sandby, Jr

1791

Print made by William Hogarth, 1697–1764

Paul Before Felix Burlesqued

1751

Print made by William Hogarth, 1697–1764

Paul Before Felix

1752

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Pieter S. van der Gunst, 1659–c. 1724

Lesley, Eveque de Rosse

1707

Print made by Luke Sullivan, 1705–1771

Paul Before Felix

1752

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Materials & Techniques line engraving

Period 18th century

Subject Terms religious and mythological subject

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Materials & Techniques line engraving

Period 18th century

Subject Terms religious and mythological subject

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