Night the First. On Life, Death and Immortality; Title Page
1797
2
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
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Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
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4
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
5
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
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Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
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7
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
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8
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
9
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
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10
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
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11
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
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12
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
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Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
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Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
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Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
16
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
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17
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
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18
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
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19
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
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20
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
21
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
22
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
23
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
24
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
25
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
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26
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
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27
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
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Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
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29
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
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30
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
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31
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
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32
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
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Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
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Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
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Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
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Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
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Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
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Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
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Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
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Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
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41
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
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42
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
43
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
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44
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
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45
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
46
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
47
Print made by James Walker, 1748–1808
Westminster Bridge
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48
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
49
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
50
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
51
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
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52
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
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53
Print made by James Walker, 1748–1808
Westminster Bridge
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54
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
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Print made by James Walker, 1748–1808
Ely
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56
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
57
Print made by James Walker, 1748–1808
Carlisle
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58
Print made by unknown artist
Portrait de Van-Dyck
undated
59
Print made by John Harris the elder, 1767–1832
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
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Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797