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Collection
Prints and Drawings
22
Creator
Blake, William, 1757–1827
19
Edwards, Richard, active 1796–1797
19
Young, Edward, 1683–1765
19
Boydell, John, 1720–1804
2
Boydell, Josiah, 1752–1817
2
Browne, John, 1741–1801
2
Sharp, William, 1749–1824
1
Smith, Samuel, 1745–1808
1
Wilson, Richard, 1713–1782
1
Date
1792
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22
1797
22
1715
7
1786
4
1768
3
1793
3
1826
3
1749
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1765
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1767
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1772
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1820
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1842
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1713
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1720
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1734
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1736
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1743
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1754
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1763
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1764
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1771
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1775
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1781
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1782
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1785
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1789
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1794
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1801
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1802
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1804
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1805
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1809
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1812
1
1819
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1821
1
1827
1
1835
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1868
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1932
1
1933
1
1947
1
2000
1
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Prints
22
Creator Gender
male
22
Collective Title
Young's Night Thoughts
19
Period
18th century
20
18th century-19th century
2
Materials & Techniques
etching (printing process)
22
line engraving
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22
wove paper
21
watercolor
19
laid paper
1
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66
Work Type
intaglio print
22
watercolor
19
drawing
16
Genre
literary theme
19
landscape
3
architectural subject
2
genre subject
2
religious and mythological subject
1
Subject Terms
women
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22
literary theme
19
text
18
men
16
children
8
nudes
8
angels
5
vines
5
clouds
3
door
3
floating
3
gowns
3
grass
3
hills
3
lyres
3
river
3
sheep
3
sun
3
sunset
3
trees
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Associated Places
Boeotia
1
Greece
1
Thebes
1
Voíótía
1
Associated People
Apollo
1
Diana
1
Niobe
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
20
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
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Materials & Techniques
line engraving
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1792
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women
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1
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
2
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
3
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
4
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
5
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
6
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
7
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
8
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
9
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
10
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
11
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
12
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
13
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
14
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
15
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
16
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
17
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
18
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
19
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
20
Print made by John Browne, 1741–1801
Evening
ca. 1797
21
Print made by John Browne, 1741–1801
Evening
ca. 1797
22
Figures engraved by William Sharp, 1749–1824
Niobe
1792