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Materials & Techniques line engraving

On-site Access Accessible in the Study Room

Width [cm] 33

William Hogarth Hudibras Sallying Forth (no.2)

William Hogarth, 1697–1764

Hudibras Sallying Forth (no.2)

William Hogarth Hudibras's First Adventure (no.3)

William Hogarth, 1697–1764

Hudibras's First Adventure (no.3)

William Hogarth Hudibras Triumphant (no.4)

William Hogarth, 1697–1764

Hudibras Triumphant (no.4)

William Hogarth Beer Street

William Hogarth, 1697–1764

Beer Street

1751

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

John Landseer Orchard Bay

Print made by John Landseer, 1769–1852

Orchard Bay

1799

John Landseer Alum Bay and the Needles

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

John Landseer Orchard Bay

Print made by John Landseer, 1769–1852

Orchard Bay

1799

John Landseer Alum Bay, Isle of Wight

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

John Landseer Alum Bay and the Needles

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

John Landseer Freshwater Bay

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Charles Rolls The Brides of Venice

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

George Cooke Naples, from the Mole

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

William Miller Pont-Neuf, Paris

Print made by William Miller, 1796–1882

Pont-Neuf, Paris

1835

W. R. Smith Heriot's Hospital

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

James Baylis Allen Castle Upnor, on the River Medway

Print made by James Baylis Allen, 1803–1876

Castle Upnor, on the River Medway

1833

W. R. Smith Harlech Castle, North Wales

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Thomas Jeavons Kidwelly Castle, South Wales

Print made by Thomas Jeavons, ca. 1800–1867

Kidwelly Castle, South Wales

1837

Robert Wallis William Tell's Chapel

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1830

William Radclyffe Eaton College, Berkshire

Print made by William Radclyffe, 1780–1855

Eaton College, Berkshire

1831

W. R. Smith Beaumaris, Isle of Anglesea

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

W. R. Smith Longships Lighthouse, Lands End

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

W. R. Smith Beaumaris, Isle of Anglesea

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

William Bernard Cooke St. Michael's Mount, Cornwall

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1820

George Cooke Edinburgh, from the Calton Hill

Print made by George Cooke, 1781–1834

Edinburgh, from the Calton Hill

1820

W. R. Smith Lowestoffe, Suffolk

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

W. R. Smith Chain Bridge over the River Tees

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

James Tibbits Willmore Nantes

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Thomas Jeavons Worcester, Worcestershire

Print made by Thomas Jeavons, ca. 1800–1867

Worcester, Worcestershire

1835

W. R. Smith Beaumaris, Isle of Anglesea

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

W. R. Smith Whitehaven, Cumberland

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

George Cooke Lulworth Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

William Bernard Cooke The Spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

Henry Le Keux High Street, Edinburgh

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

William Miller Bass Rock

Print made by William Miller, 1796–1882

Bass Rock

1826

William Miller Bass Rock

Print made by William Miller, 1796–1882

Bass Rock

1826

Thomas Higham Wilton House

Print made by Thomas Higham, 1796–1844

Wilton House

1825

John Horsburgh Bell Rock Lighthouse

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

Thomas Jeavons Boston, Lincolnshire

Print made by Thomas Jeavons, ca. 1800–1867

Boston, Lincolnshire

1835

W. R. Smith Longships Lighthouse, Lands End

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

James Tibbits Willmore Farne Island - Shipwreck

Print made by James Tibbits Willmore, 1800–1863

Farne Island - Shipwreck

1853-1874

Charles Picart Reverend Beilby Porteus, Lord Bishop of London

Charles Picart, c.1780–1837

Reverend Beilby Porteus, Lord Bishop of London

1809

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802