Londres. Vue Prise de la Tour de l'Eglise de St. Paul
1860
203
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
204
Print made by Joseph Wood, 1720–1763 or 1764
The View from One Tree Hill in Greenwich Park
1744
205
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
206
Print made by William Henry Simmons, 1811–1882
The Departure (Second Class)
1857
207
Print made by Robert Havell, 1769–1832
The Method of Catching Wild Elephants by the Kraal in the Island of Ceylon in the East Indies
1817
208
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
209
Anthony Walker, 1726–1765
A View of the New Bridge Over the Thames at Walton in Surrey
1750
210
Print made by William Daniell, 1769–1837
The European Factories at Canton in China
1805
211
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
212
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
213
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
214
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
215
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
216
Print made by James Sayers, 1748–1823
Dun-shaw, One Foot in Leadenhall Street, and the Other in the Province of Bengal (From: Caricature, vol. 5)
1788
217
unknown artist
Marlow, Bucks
1805
218
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
219
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
220
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
221
Print made by Henry Papprill, 1816–d.after 1883
View of the Capture of Amoy on the Coast of China, on the 26th August, 1841... Plate 1
1842
222
Print made by William Daniell, 1769–1837
A View of the Frigates Stationed in the Hope under the Command of the Elder Brethren of the Trinity House
1804
223
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
224
Print made by Edward Duncan, 1803–1882
Whampoa, in China
1835
225
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
226
Print made by Gerard van der Gucht, 1696–1776
Tellicherry
1736
227
Print made by Francis Jukes, 1747–1812
The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight
1785
228
Francesco Bartolozzi, 1728–1815
Reapers
1790
229
Print made by William O'Keefe, active 1794–1807
A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd
1796
230
Print made by unknown artist
Good News from Madras
1791
231
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
232
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
233
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
234
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
235
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
236
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
237
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
238
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
239
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
240
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
241
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
242
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
243
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
244
Print made by Robert Kearsley Dawson, 1798–1861
Map of Worcestershire Showing Western and Eastern Divisions
undated
245
Print made by Robert Kearsley Dawson, 1798–1861
Map of Bewdley from the Ordnance Survey
undated
246
Print made by unknown artist
This Celebrated Ewe was Bred and Fed, by Mr. Wilcox
undated
247
Print made by A. M. Gauci, fl.1848–1869
Lady Fragrant, at 7 Years Old
1870
248
Print made by John West Giles, active 1827–1865
Mr. Jonas Webb, of Babraham, and his Three Rams
1842
249
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
250
Print made by James Heath, 1757–1834
Papyrus
1790
251
Print made by James Heath, 1757–1834
Balessan
1789
252
Print made by Henry Papprill, 1816–d.after 1883
View of the Capture of Amoy on the Coast of China, on the 26th August, 1841... Plate 2
1842
253
Print made by Henry Papprill, 1816–d.after 1883
View of the Capture of Amoy on the Coast of China, on the 26th August, 1841... Plate 3
1842
254
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
255
Print made by William Daniell, 1769–1837
A View of the London Dock
1808
256
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
257
Print made by Rowney & Forster, active 1820–1822
Guy Fawkes
after 1821
258
Print made by James Heath, 1757–1834
Ashkoko
1789
259
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
260
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
261
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
262
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
263
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
264
James Gillray, 1756–1815
National Discourse
1780
265
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
266
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
267
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
268
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
269
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
270
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
271
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
272
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
273
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
274
Print made by unknown artist
The Early Repast
1851
275
Print made by John West Giles, active 1827–1865
Four Prize Wethers
1837
276
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
277
Print made by George Bickham the Younger, ca. 1706–1771
A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
ca. 1753; republished after 1779
278
Thomas Malton the Younger, 1748–1804
Newgate
1799
279
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
280
Print made by Paul Angier, active 1749
A View of Paris
281
Samuel Ireland, 1744–1800
Stone Buildings, Lincoln's Inn
1800
282
Samuel Ireland, 1744–1800
New Inn
1800
283
Charles Turner, 1774–1857
James Gillray
1819
284
Print made by Robert Havell, 1769–1832
Seran Raja's Palace
1820
285
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
286
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
287
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
288
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
289
Print made by Joseph Constantine Stadler, active 1780–1812
East India House
between 1807 and 1812
290
Print made by unknown artist
A Front View of the East India House in Leadenhall Street
1800
291
Print made by unknown artist
A View of the East India House, Leadenhall Street, London
1802
292
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
293
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
294
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
295
Print made by J. Carwitham, active 1720–1740
An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..