Materials & Techniques: graphite / Date: 1817 - YCBA Collections Search Search Results

1. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Stable Boy with Cart Horses

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Porchester Castle

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/16 inches (7.3 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Landscape at Boxhill, Surrey

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Boxhill from West Humble Lane

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 x 19 7/16 inches (33.6 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Classical Landscape

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream card mounted on thick, slightly textured, beige card
Dimensions:: Mount: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Keep and Gate, Ludlow Castle, Shropshire

Creator:: Thomas Lound, 1802–1861
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/8 × 19 3/4 inches (35.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Wooded Stream and a Farmhouse in Normandy

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, rough, brown wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/2 inches (20 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Study of a Seated Woman

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Palais de Justice, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 4 7/8 inches (30.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Fruit Stall in a Market

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. An Episode at the Battle of Waterloo

Creator:: William Heath, 1795–1840
Date:: 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Honey-Badger

Creator:: Samuel Howitt, 1756–1822
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. North American Lynx

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Polecat

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of St. Catherine's Hill near Guildford

Creator:: attributed to Charles Claude Pyne, 1802–1878
Date:: undated
Materials & Techniques:: Watercolor over graphite; on verso: watercolor, graphite and chalk on medium, slightly textured, wove paper
Dimensions:: Sheet: 7 × 19 1/4 inches (17.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Gray wash, black wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 16 3/4 inches (40.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Grisons/ Looking to Glarnisch (Switzerland) Mountains

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 16 3/8 inches (52.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "After Pinnelli" (Group of Peasants Outside a House)

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 5/8in. (19.8 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lord Craven's Yacht, July 23, 1817

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 15 5/8 inches (40.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

50. Single Frigate, Stern Forward; Albion 20 April 1817

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1817
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

51. An Irish Wolfhound

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/8 inches (16.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

Creator:: James Ward, 1769–1859
Date:: ca. 1822
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Four Hooded Falcons

Creator:: Attributed to John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 11 1/8 inches (16.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Six Foxhounds Resting

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/4 inches (11.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Herd of Deer Grazing in a Park

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 7/16 inches (25.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Near Gravesend from the High Road

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1817
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Study of a Startled Horse

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper, mounted on board
Dimensions:: Sheet: 1 5/8 × 2 15/16 inches (4.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jealousy, Rage, Disappointment...

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Abbey St-Amand, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 inches (19.1 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Road Workers, near Lillebonne

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 3/8 inches (10.5 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Classical Scene

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, gum arabic, and scratcing out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 23 3/16 inches (44 × 58.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

66. Landscape

Creator:: attributed to Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

67. Lions at Play

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Red and black chalk with graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jane Ritchie in memory of Andrew Carnduff Ritchie

68. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Landscape with Windmills

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Knapton Church, Norfolk, from the North-East

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 10 1/2 inches (17.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Church of Graville near Havre de Grace, Normandy: End of the North Transept

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 5/8 × 7 1/8 inches (24.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Part of the Old Fortifications at Saint Lo, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 5/8 inches (30.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Tub Thumper

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Terrace at St. Germain-en-Laye

Creator:: Henry Edridge, 1769–1821
Date:: between 1817 and 1819
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 16 3/4 inches (18.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Landscape with Castle, Waterfall and Stream in Foreground

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor over graphite with scratching out on thick, slightly textured, cream card
Dimensions:: Sheet: 1/2 × 8 3/8 inches (1.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Valley of Rocks, Lynton, North Devon

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Cascatella, Tivoli, 1817

Creator:: Hon. Henrietta Anne Fortescue, ca. 1765–1841
Date:: 1817
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 3/8 inches (26.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Near the Scuola de Virgilio

Creator:: Hon. Henrietta Anne Fortescue, ca. 1765–1841
Date:: 1817
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View of the Donjon of Château Gaillard, near Andelys, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. East End of the Abbey Church of St. Paul at Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Caricature Sketch of a Man

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 3 inches (7.6 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sketches of Three Heads

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 6 1/4 inches (21.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Landscape with a Temple and Figures by a River

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Study of a Coffin Lid from a (?) Norfolk Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 10 3/4 x 7 1/2 inches (27.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Five Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 7/8 inches (27.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Study of a Coffin Lid from Houghton Churchyard, Norfolk

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Gray and yellow wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Studies of Four Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 7/8 inches (27.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Studies of Two Coffin Lids from Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Studies of Two Coffin Lids from (?) Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium slightly textured cream wove paper
Dimensions:: Sheet: 15 1/8 x 10 5/8 inches (38.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Studies of Two Coffin Lids from (?) Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 15 x 10 7/8 inches (38.1 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of a Coffin Lid from a (?) Norfolk Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 15 x 10 1/2 inches (38.1 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Studies of Five Coffin Lids from ?Norfolk Churches

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: ca. 1822
Materials & Techniques:: Yellow and gray wash over graphite on medium smooth cream wove paper
Dimensions:: Sheet: 11 x 14 7/8 inches (27.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques graphite

Date 1817

Search Results

1. Regent Street, Looking Toward Piccadilly From Waterloo Place

2. Stable Boy with Cart Horses

3. Lewes Bridge, Sussex

4. Knaresborough

5. Porchester Castle

6. Landscape at Boxhill, Surrey

7. Boxhill from West Humble Lane

8. Tythrop

9. Interior of the Belfry, Bushey Church

10. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

11. Classical Landscape

12. The Keep and Gate, Ludlow Castle, Shropshire

13. A Wooded Stream and a Farmhouse in Normandy

14. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

15. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

16. Study of a Seated Woman

17. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

18. Queen Anne Boleyn's Room, Windsor Castle

19. Hogarth Declaring His Love to Miss Thornhill

20. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

21. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

22. Hogarth Drawing Sarah Malcolm

23. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

24. Hogarth Sitting to Roubiliac for His Bust

25. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

26. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

27. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

28. The Eleventh Hour

29. Palais de Justice, Rouen

30. A Christening

31. The Reconcilation

32. The Smock Exposed

33. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

34. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

35. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

36. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

37. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

38. A Fruit Stall in a Market

39. An Episode at the Battle of Waterloo

40. Honey-Badger

41. North American Lynx

42. Polecat

43. View of St. Catherine's Hill near Guildford

44. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

45. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

46. Grisons/ Looking to Glarnisch (Switzerland) Mountains

47. After Pinnelli - Group of Peasants Outside a Church

48. "After Pinnelli" (Group of Peasants Outside a House)

49. Lord Craven's Yacht, July 23, 1817

50. Single Frigate, Stern Forward; Albion 20 April 1817

51. An Irish Wolfhound

52. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

53. Four Hooded Falcons

54. Six Foxhounds Resting

55. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

56. A Herd of Deer Grazing in a Park

57. Near Gravesend from the High Road

58. Study of a Startled Horse

59. Hunting Scene: The Meet

60. The Vicar of Wakefield: Frontispiece

61. The Family Picture

62. Jealousy, Rage, Disappointment...

63. Abbey St-Amand, Rouen

64. Road Workers, near Lillebonne

65. Classical Scene

66. Landscape

67. Lions at Play

68. A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

69. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

70. Landscape with Windmills

71. Courtyard of an Inn on the Thames

72. Knapton Church, Norfolk, from the North-East

73. Church of Graville near Havre de Grace, Normandy: End of the North Transept

74. South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy