Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
2
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
3
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
4
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
5
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
6
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
7
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
8
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
9
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
10
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
11
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
12
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
13
Samuel Howitt, 1756–1822
Honey-Badger
1817
14
Samuel Howitt, 1756–1822
Polecat
ca. 1817
15
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
16
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
17
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
18
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
19
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
20
John Thomas Smith, 1766–1833
The Smock Exposed
1817
21
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
22
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
23
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
24
John Thomas Smith, 1766–1833
The Reconcilation
1817
25
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
26
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
27
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
28
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
29
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
30
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
31
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
32
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
33
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
34
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
35
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
36
Alexander Monro, 1802–1844
Classical Landscape
undated
37
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
38
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
39
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
40
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
41
Alexander Monro, 1802–1844
Porchester Castle
undated
42
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
43
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
44
Thomas Shotter Boys, 1803–1874
A Christening
undated
45
Francis Oliver Finch, 1802–1862
Classical Scene
undated
46
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
47
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
48
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
49
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
50
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
51
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
52
Francis Oliver Finch, 1802–1862
Valley of Rocks, Lynton, North Devon
undated
53
Francis Oliver Finch, 1802–1862
Landscape with Castle, Waterfall and Stream in Foreground