Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
3
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
4
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
5
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
6
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
7
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
8
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
9
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
10
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
11
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
12
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
13
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
14
Alexander Monro, 1802–1844
Knaresborough
undated
15
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
16
Samuel Howitt, 1756–1822
Polecat
ca. 1817
17
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
18
Alexander Monro, 1802–1844
Porchester Castle
undated
19
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
20
Alexander Monro, 1802–1844
Classical Landscape
undated
21
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
22
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
23
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
24
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
25
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
26
John Linnell, 1792–1882
Tythrop
1817
27
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
28
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
29
Thomas Shotter Boys, 1803–1874
A Christening
undated
30
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
31
John Thomas Smith, 1766–1833
The Reconcilation
1817
32
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
33
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
34
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
35
John Thomas Smith, 1766–1833
The Smock Exposed
1817
36
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
37
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
38
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
39
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
40
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
41
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
42
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
43
Francis Oliver Finch, 1802–1862
Classical Scene
undated
44
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
45
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
46
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
47
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
48
Thomas Rowlandson, 1756–1827
The Family Picture
1817
49
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
50
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
51
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
52
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
53
attributed to Sir Edwin Henry Landseer, 1802–1873
Landscape
undated
54
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
55
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
56
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
57
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
58
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
59
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
60
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
61
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
62
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
63
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
64
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
65
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
66
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
67
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
68
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
69
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
70
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
71
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
72
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
73
John Sell Cotman, 1782–1842
Knapton Church, Norfolk, from the North-East
1817
74
George Cruikshank, 1792–1878
Sketches of Three Heads
undated
75
George Cruikshank, 1792–1878
Caricature Sketch of a Man
undated
76
attributed to John Sell Cotman, 1782–1842
Studies of Five Coffin Lids from ?Norfolk Churches
ca. 1822
77
attributed to John Sell Cotman, 1782–1842
Study of a Coffin Lid from a (?) Norfolk Church
ca. 1822
78
attributed to John Sell Cotman, 1782–1842
Study of a Coffin Lid from Houghton Churchyard, Norfolk
ca. 1822
79
attributed to John Sell Cotman, 1782–1842
Studies of Four Coffin Lids from ?Norfolk Churches
ca. 1822
80
attributed to John Sell Cotman, 1782–1842
Five Coffin Lids from ?Norfolk Churches
ca. 1822
81
attributed to John Sell Cotman, 1782–1842
Study of a Coffin Lid from a (?) Norfolk Church
ca. 1822
82
attributed to John Sell Cotman, 1782–1842
Studies of Two Coffin Lids from (?) Norfolk Churches
ca. 1822
83
attributed to John Sell Cotman, 1782–1842
Studies of Two Coffin Lids from Norfolk Churches
ca. 1822
84
John Sell Cotman, 1782–1842
View of the Donjon of Château Gaillard, near Andelys, Normandy
ca. 1822
85
John Sell Cotman, 1782–1842
Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
1817
86
John Sell Cotman, 1782–1842
South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy
1817
87
John Sell Cotman, 1782–1842
Church of Graville near Havre de Grace, Normandy: End of the North Transept
1817
88
John Sell Cotman, 1782–1842
East End of the Abbey Church of St. Paul at Rouen, Normandy
1817
89
John Sell Cotman, 1782–1842
Part of the Old Fortifications at Saint Lo, Normandy
1817
90
attributed to John Sell Cotman, 1782–1842
Studies of Two Coffin Lids from (?) Norfolk Churches
ca. 1822
91
Francis Oliver Finch, 1802–1862
Landscape with Castle, Waterfall and Stream in Foreground