Materials & Techniques: etching (printing process) / Width [cm]: 51

1. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Aretino

Creator:: Print made by Charles Waltner, 1846–1925
Date:: 1905
Materials & Techniques:: Etching (artist's proof) on vellum
Dimensions:: Sheet: 25 1/16 × 20 inches (63.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Charles Robert Darwin

Creator:: Print made by Paul Adolphe Rajon, 1842–1888
Date:: 1882
Materials & Techniques:: Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Morning

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Negroes Dance in the Island of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Creator:: Print made by Charles Gauthier Playter, died 1809
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Richard III: Act IV, Scene III, Tower of London

Creator:: Print made by William Skelton, 1763–1848
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Double Deliverance, 1588–1605

Creator:: Print made by unknown artist
Date:: 1621
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Cambridge University: Queens College

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Summit of Cader Idris Mountain

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Cymon and Iphigenia

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1797
Materials & Techniques:: Etching and stipple engraving (second state) on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 20 1/4 inches (48.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Mrs. Siddons, in the Character of the Tragic Muse

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1787
Materials & Techniques:: Mezzotint, etching and stipple engraving (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (aa) on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Simmer Lake, near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Huguenot: Eve of St. Bartholomew's Day, 1572

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1857
Materials & Techniques:: Etching, stipple engraving, and mezzotint
Dimensions:: Sheet: 29 1/4 × 20 1/8 inches (74.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Trees and Factory at Hammersmith

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1903
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 × 16 inches (33 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

31. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

32. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Small Breeze

Creator:: Print made by Thomas Boydell, active 1750–1751
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of the Walton Bridge, Venus's Temple

Creator:: William Woollett, 1735–1785
Date:: 1757
Materials & Techniques:: Etching and line engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 17 7/8 × 23 5/8 inches (45.4 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of Sion House from the Banks of the Thames

Creator:: John Hassell, 1767–1825
Date:: 1799
Materials & Techniques:: Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Hermitage of Warkworth

Creator:: Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 1/4 × 30 1/8 inches (54 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Fall of Agandecca

Creator:: Print made by James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/8 × 30 1/8 inches (53.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

45. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

46. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

47. Castle at Tancarville

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1821
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/16 x 20 1/8 inches (36.1 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

48. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

49. The Captive

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1786
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 22 11/16 inches (46.7 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. John E. Larkin Jr. in honor of Jules D. Prown

50. Flower Garden Porch at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Bay Windows in the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Fair Lawn in ye County of Kent

Creator:: Johannes Kip, 1653–1722
Date:: 1707
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 20 1/4 inches (43.5 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Helen Chillman

53. A Prospect of the House at Windsor, Belonging to his Grace Charles Beauclerck

Creator:: Johannes Kip, 1653–1722
Date:: 1707
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 inches (38.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Helen Chillman

54. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Gateway to the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Roadmen

Creator:: Print made by William M. Larkins, 1901–1974
Date:: 1925
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/16 × 20 inches (12.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

Creator:: James Gillray, 1756–1815
Date:: ca. 1811
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 20 inches (36.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Quorn Hunt: The Meet at Ashby Pastures

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 20 1/16 inches (31.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Quorn Hunt: Drawing Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/8 inches (31.1 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Quorn Hunt: Tally-Ho and Away

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 inches (31.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Quorn Hunt: The Pace Begins to Tell

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Quorn Hunt: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: watercolor, with gum arabic, and gouache, over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Quorn Hunt: The Whissendine Appears in View

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 20 1/16 inches (30.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Quorn Hunt: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Quorn Hunt: 'Snob is Beat'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 7/16 × 20 1/8 inches (31.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Antony in Egypt No.2, Morning of the Festival

Creator:: Print made by William Walcot, 1874–1943
Date:: 1916
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 26 inches (66.4 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Venus Lamenting the Death of Adonis

Creator:: Print made by Mathieu Liart, 1736–1782
Date:: 1783
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/4 × 29 7/8 inches (54 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Cephalus lamenting the Death of Procris

Creator:: Print made by Mathieu Liart, 1736–1782
Date:: 1783
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 21 9/16 × 29 7/8 inches (54.8 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Court of Justice, Ancient Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 34 1/2 × 27 inches (87.6 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. Temple of Romulus

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 28 3/8 inches (57.2 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

74. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Boys Playing at Marbles

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1786
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Crazy Paving

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1991
Materials & Techniques:: Color printed etching and aquatint from nine plates on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/2 × 19 7/8 inches (57.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Coffee Stall, Hammersmith

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1919
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

79. Benjamin Disraeli

Creator:: Print made by Sir Hubert von Herkomer, 1849–1914
Date:: ca. 1875
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 25 3/16 × 20 1/8 inches (64 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

80. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques etching (printing process)

Width [cm] 51

Search Results

1. Richmond, Yorkshire

2. Richmond, Yorkshire

3. Hardraw Fall

4. Aretino

5. Charles Robert Darwin

6. Evening

7. Morning

8. The Magicians Marching off After the Success of their Incantations

9. Shields on the River Tyne

10. A Negroes Dance in the Island of Dominica

11. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

12. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

13. Richard III: Act IV, Scene III, Tower of London

14. The Double Deliverance, 1588–1605

15. A Mythological Battle

16. Intemperance

17. Cambridge University: Queens College

18. The Summit of Cader Idris Mountain

19. Heriot's Hospital

20. Brighton

21. The Observatory at Rosehill, Sussex

22. Cymon and Iphigenia

23. Mrs. Siddons, in the Character of the Tragic Muse

24. Plymouth from Mount Batten

25. Wycliffe, near Rokeby

26. Wycliffe, near Rokeby

27. Simmer Lake, near Askrig

28. Raby Castle, County of Durham

29. The Huguenot: Eve of St. Bartholomew's Day, 1572

30. Trees and Factory at Hammersmith

31. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

32. The Old Téméraire

33. The Old Téméraire

34. Greenland Fishery

35. A Small Breeze

36. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

37. View of the Walton Bridge, Venus's Temple

38. View of Sion House from the Banks of the Thames

39. The Hermitage of Warkworth

40. The Horse Race at Rome During the Carnival

41. The Fall of Agandecca

42. Views in the Levant: The Sacred Cave of Archidamus

43. St. Augustine's Gate, Canterbury

44. A Morning Ride

45. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

46. Church of L'Ery, near Pont-de-l'Arche

47. Castle at Tancarville

48. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

49. The Captive

50. Flower Garden Porch at Farnley

51. Bay Windows in the Flower Garden at Farnley

52. Fair Lawn in ye County of Kent

53. A Prospect of the House at Windsor, Belonging to his Grace Charles Beauclerck

54. Vol. 6, Plate XXVIII

55. Gateway to the Flower Garden at Farnley

56. Roadmen

57. Death of the Strong Wicked Man

58. The Death of the Good Old Man

59. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

60. The Quorn Hunt: The Meet at Ashby Pastures

61. The Quorn Hunt: Drawing Cover

62. The Quorn Hunt: Tally-Ho and Away

63. The Quorn Hunt: The Pace Begins to Tell

64. The Quorn Hunt: Full Cry

65. The Quorn Hunt: The Whissendine Appears in View

66. The Quorn Hunt: The Death

67. The Quorn Hunt: 'Snob is Beat'

68. Antony in Egypt No.2, Morning of the Festival

69. Venus Lamenting the Death of Adonis

70. The Soul Hovering over the Body reluctantly Parting with Life

71. Cephalus lamenting the Death of Procris

72. A Court of Justice, Ancient Rome

73. Temple of Romulus

74. The Counsellor, King, Warrior, Mother & Child, in the Tomb