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Materials & Techniques etching (printing process)

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William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
James Faed Sr. Shakespeare in His Study
James Faed Sr., 1821–1911
Shakespeare in His Study
1859
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Robert Blyth The Captive
Print made by Robert Blyth, 1750–1784
The Captive
1781
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
William Miller Durham Cathedral
Print made by William Miller, 1796–1882
Durham Cathedral
1836
W. R. Smith Leicester Abbey, Leicestershire
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
W. R. Smith Leicester Abbey, Leicestershire
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Isaac Cruikshank Washing the Blackamoor
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
James Mitan Turin, from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, 1802–1858
St. Catherine's Hill, near Guildford, Surrey
1832
Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
John Goldar The Sacrifice
John Goldar, 1729–1795
The Sacrifice
1767
Francesco Bartolozzi A Lecture on Gadding
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789