'That touch, with charm celestial heals the soul' (Page 90)
1797
2
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
3
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
4
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
5
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
6
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
7
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
8
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
9
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
11
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
12
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
13
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
14
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
16
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
17
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
18
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
19
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
20
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
21
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
22
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
23
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
24
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
25
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
26
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
27
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
28
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
29
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
30
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
31
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
32
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
33
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
34
Print made by Hendrick van Schoel, died 1622
Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
1548
35
Print made by John Browne, 1741–1801
The Sportsman
1775
36
Print made by John Copley, 1875–1950
A Bather About to Dive
1932
37
Print made by John Copley, 1875–1950
The Apple Tree
1950
38
George Percival Gaskell, 1868–1934
The Wood on the Hilltop
undated
39
Print made by Ernest Stephen Lumsden, 1883–1948
The Sitala Temple
1916
40
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Barbican
1920
41
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
42
Print made by John Horsburgh, 1791–1869
Napoleon's Logemont, Quai Conti
1834
43
Print made by unknown artist
Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
1547
44
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Theatrum Sive Coliseum Romanum
1538
45
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
46
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
47
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
48
Print made by Richard Earlom, 1743–1822
Mrs. Gulston
1771
49
Print made by John Jones, ca. 1745–1797
The Girl Sleeping
1790
50
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
51
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
52
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
53
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
54
William Byrne, 1743–1805
Carnarvon Castle
1775
55
William Woollett, 1735–1785
Snowden Hill
1775
56
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
57
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
58
Print made by William Carpenter, 1818–1899
Charles Fox
1849
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
60
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
61
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
62
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
63
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
64
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
65
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
66
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
67
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
68
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
69
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
70
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
71
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
72
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
73
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
74
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
75
Print made by Frank Auerbach, 1931-2024
Lucian Freud
1981
76
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
77
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
78
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
79
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
80
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
81
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
82
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
83
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
84
Print made by Austin, Robert, 1895-1973, 1895–1973
Women at Prayer
1936
85
Print made by Sir David Young Cameron, 1865–1945
The North Porch, Harfleur
1904
86
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
87
Print made by Sir David Young Cameron, 1865–1945
Notre Dame, Dinant [Belgian Set: No. 8]
1907
88
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
89
Print made by Sir David Young Cameron, 1865–1945
Street in Cairo
1910
90
Print made by Paul Adolphe Rajon, 1842–1888
Charles Robert Darwin
1882
91
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
92
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
93
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
94
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
95
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
96
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
97
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below