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Materials & Techniques etching (printing process)

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Height [cm] 41

Sir Muirhead Bone Piccadilly Circus

Sir Muirhead Bone, 1876–1953

Piccadilly Circus

1915

On view at YUAG

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Samuel Middiman High Street, Oxford

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Johann Jacobus Haid La benedicite

Print made by Johann Jacobus Haid, 1704–1767

La benedicite

undated

Johann Jacobus Haid La gouvernante

Print made by Johann Jacobus Haid, 1704–1767

La gouvernante

undated

William Doughty The Honorable Augustus Keppel, Admiral of the Blue

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Henri Emile Lefort Benjamin Franklin

Print made by Henri Emile Lefort, 1852–1916

Benjamin Franklin

1896

John Scott Aske Hall

Print made by John Scott, 1774–1828

Aske Hall

1821

William Miller Abbotsford

Print made by William Miller, 1796–1882

Abbotsford

1841

Luigi Schiavonetti Milk below Maids

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Giovanni Vendramini Knives, Scissars, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Etienne Dupérac Insula Tiberina

Print made by Etienne Dupérac, ca. 1535–1604

Insula Tiberina

1582

Nicolas Beatrizet Pantheum Romanum nunc Mariae Cognomento

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Lucas Vorsterman I Franciscus de Moncada

Print made by Lucas Vorsterman I, 1595–1675

Franciscus de Moncada

ca. 1635

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Print made by Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Joseph Grozer Viscountess Duncannon

Print made by Joseph Grozer, ca. 1755–1798

Viscountess Duncannon

ca. 1785

Thomas Cheesman Lady Hamilton as the Spinster

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as the Spinster

1789

Richard Earlom A Shepherd Boy

Print made by Richard Earlom, 1743–1822

A Shepherd Boy

1781

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Copley In My Studio

Print made by John Copley, 1875–1950

In My Studio

1949

John Copley Pink Vase (Self-Portrait)

Print made by John Copley, 1875–1950

Pink Vase (Self-Portrait)

1949

William Byrne View of the Orangery and Pagoda in the Garden of Scoonenberg

Print made by William Byrne, 1743–1805

View of the Orangery and Pagoda in the Garden of Scoonenberg

1792

Thomas Malton the Younger Cambridge University: Emmanuel College

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

William Nelson Gardiner January

Print made by William Nelson Gardiner, 1766–1814

January

1788

Charles Grignion A French Petit Maître and His Valet

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

Thomas Malton the Younger Cambridge University: Queens College

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Ernest Stephen Lumsden The Lamas

Print made by Ernest Stephen Lumsden, 1883–1948

The Lamas

1919

William Miller Malmaison

Print made by William Miller, 1796–1882

Malmaison

1835

William Miller Craigmillar Castle

Print made by William Miller, 1796–1882

Craigmillar Castle

1836

William Miller Linlithgow

Print made by William Miller, 1796–1882

Linlithgow

1836

William Miller Killiecrankie

Print made by William Miller, 1796–1882

Killiecrankie

1836

Francesco Bartolozzi Atalanta and Hippomanes

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Thomas Girtin View of the City with the Louvre taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre taken from Pont Marie

1802

Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs

Print made by Thomas Girtin, 1775–1802

View of the Gate of the St. Denis taken from the Suburbs

1803

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli and St. German en Laye seen in the distance

1803

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin The Water Mill above the Bridge at Charenton

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton

1803

William Miller Hougoumont

Print made by William Miller, 1796–1882

Hougoumont

1834

Sir Frank William Brangwyn Trees and Factory at Hammersmith

Print made by Sir Frank William Brangwyn, 1867–1956

Trees and Factory at Hammersmith

1903

John Horsburgh Hotel de Ville, Paris

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris

1834

William Miller Vincennes

Print made by William Miller, 1796–1882

Vincennes

1835

William Miller The Simplon

Print made by William Miller, 1796–1882

The Simplon

1834

John Horsburgh Abbeville

Print made by John Horsburgh, 1791–1869

Abbeville

1836

William Miller Mayence

Print made by William Miller, 1796–1882

Mayence

1834

Robert Blyth An Aga of the Janizaries

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Arthur John Reginald Trevor Briscoe In the Tropics

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

In the Tropics

1928

Sir David Young Cameron The Five Sisters, York Minister

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Frederick Landseer Maur Griggs Anglia Pedita

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Pedita

1925

William Miller Fontainebleau

Print made by William Miller, 1796–1882

Fontainebleau

1835

William Miller The Rhymer's Glen

Print made by William Miller, 1796–1882

The Rhymer's Glen

1835

William Miller Chiefswood Cottage

Print made by William Miller, 1796–1882

Chiefswood Cottage

1835

John Horsburgh Dunfermline

Print made by John Horsburgh, 1791–1869

Dunfermline

1836

William Miller Fort Augustus

Print made by William Miller, 1796–1882

Fort Augustus

1836

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Sir Muirhead Bone Rainy Night in Rome

Print made by Sir Muirhead Bone, 1876–1953

Rainy Night in Rome

1914

Sir David Young Cameron The Little Devil of Florence

Print made by Sir David Young Cameron, 1865–1945

The Little Devil of Florence

1907

Valentine Green St. Augustine's Gate, Canterbury

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779