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Materials & Techniques etching (printing process)

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William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake The Death of Juliet
Print made by William Blake, 1757–1827
The Death of Juliet
1799
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
Thomas Abiel Prior The Goddess of Discord
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord
between 1859 and 1861
James Tibbits Willmore Dido and Aeneas
Print made by James Tibbits Willmore, 1800–1863
Dido and Aeneas
between 1859 and 1861
Edward Goodall Ulysses Deriding Polyphemus
Print made by Edward Goodall, 1795–1870
Ulysses Deriding Polyphemus
between 1859 and 1861
Thomas Abiel Prior The Golden Bough
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
James Baylis Allen Phryne Going to the Bath as Venus
Print made by James Baylis Allen, 1803–1876
Phryne Going to the Bath as Venus
between 1859 and 1861
Sir Frank Short Procris and Cephalus
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
James Tibbits Willmore Childe Harold's Pilgrimage, Italy
Print made by James Tibbits Willmore, 1800–1863
Childe Harold's Pilgrimage, Italy
between 1859 and 1861
William Strang The Penance
Print made by William Strang, 1859–1921
The Penance
1896
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
John Hall Comedies
Print made by John Hall, 1739–1797
Comedies
ca. 1776
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Edward Francis Finden The Plain of Troy
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
Edward Francis Finden The School of Homer, Scio
Print made by Edward Francis Finden, 1791–1857
The School of Homer, Scio
1833
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
Samuel Middiman Shakespeare's Winter Tale Act III Scene III
Samuel Middiman, ca. 1750–1831
Shakespeare's Winter Tale Act III Scene III
1794
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Sir David Young Cameron Bookplate for James Curle
Print made by Sir David Young Cameron, 1865–1945
Bookplate for James Curle
1911
Francesco Bartolozzi Angelica and Medoro
Francesco Bartolozzi, 1728–1815
Angelica and Medoro
Francesco Bartolozzi The Dead Ass, Nampont
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
Francesco Bartolozzi The Snuff Box, Calais
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Sir David Young Cameron John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
Print made by Sir David Young Cameron, 1865–1945
John Hunter's Book Plate with Armorial Bearings and Mrs. Hunter's Book Plate with her Monogram
1893
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
William Miller Field of Waterloo, with Lightning
Print made by William Miller, 1796–1882
Field of Waterloo, with Lightning
1835
William Miller Chiefswood Cottage
Print made by William Miller, 1796–1882
Chiefswood Cottage
1835
William Miller The Rhymer's Glen
Print made by William Miller, 1796–1882
The Rhymer's Glen
1835
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
Edward Goodall Johnnie Armstrong's Tower
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
Samuel Middiman Winter's Tale, Act III, Scene III
Samuel Middiman, ca. 1750–1831
Winter's Tale, Act III, Scene III
1794
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1851
William Miller The Dead Eagle, Oran
Print made by William Miller, 1796–1882
The Dead Eagle, Oran
1837
John Cousen Lake of Nemi
Print made by John Cousen, 1804–1880
Lake of Nemi
ca. 1844
John Cousen Ehrenbreitstein
Print made by John Cousen, 1804–1880
Ehrenbreitstein
between 1859 and 1879
Francesco Bartolozzi As You Like It, Act IV, Orlando and Oliver
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
Sir David Young Cameron Title Page: William Hunter's Coat of Arms
Print made by Sir David Young Cameron, 1865–1945
Title Page: William Hunter's Coat of Arms
1893
Edward Francis Finden Negropont
Print made by Edward Francis Finden, 1791–1857
Negropont
1834
John Cousen The Acropolis of Athens
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832
William Strang Nathan the Wise
Print made by William Strang, 1859–1921
Nathan the Wise
1893
William Strang Nathan the Wise
Print made by William Strang, 1859–1921
Nathan the Wise
1893
William Strang The Undertakers
Print made by William Strang, 1859–1921
The Undertakers
1900
William Strang The Miracle of Purun Bhagat
Print made by William Strang, 1859–1921
The Miracle of Purun Bhagat
1900
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766