Materials & Techniques: etching (printing process) / Genre: literary theme / Subject Terms: religious and mythological subject

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

Print made by William Blake, 1757–1827

"What is Man!"; Frontispiece (Plate 2)

1826

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

Print made by Richard Earlom, 1743–1822

Bathsheba Bringing Abishag to David

1779

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Print made by Thomas Abiel Prior, 1809–1886

The Goddess of Discord

between 1859 and 1861

Print made by Thomas Abiel Prior, 1809–1886

The Golden Bough

1875

Print made by James Baylis Allen, 1803–1876

Phryne Going to the Bath as Venus

between 1859 and 1861

Print made by Sir Frank Short, 1857–1945

Procris and Cephalus

1885

William Woollett, 1735–1785

Dido and Aeneas

1787

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by William Blake, 1757–1827

Cupid & Psyche

1794

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No.2

1896

Print made by Ralph Hudson, active ca. 1820

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

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Materials & Techniques etching (printing process)

Genre literary theme

Subject Terms religious and mythological subject

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