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Collection
Prints and Drawings
33
Creator
Blake, William, 1757–1827
27
Edwards, Richard, active 1796–1797
27
Young, Edward, 1683–1765
27
Ellis, William, 1747–1810
3
Johnson, Joseph, 1738–1809
3
Witton, P. H. Jr., Active 1792
3
Bell, John, 1745–1831
1
Boydell, John, 1720–1804
1
Farington, Joseph, 1747–1821
1
Fittler, James, 1758–1835
1
Opie, John, 1761–1807
1
Sharp, William, 1749–1824
1
Smith, Samuel, 1745–1808
1
Wilson, Richard, 1713–1782
1
Date
1792
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33
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1950
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1673
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1688
1
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
33
Classification
Prints
33
Creator Gender
male
33
Collective Title
Young's Night Thoughts
27
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
3
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
3
British Theatre
1
Period
18th century
33
Materials & Techniques
etching (printing process)
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33
line engraving
28
wove paper
28
watercolor
27
laid paper
5
aquatint
3
colored ink
1
Height [cm]
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50
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66
Work Type
intaglio print
33
watercolor
27
drawing
19
Genre
literary theme
28
architectural subject
4
landscape
4
genre subject
3
cityscape
1
marine art
1
religious and mythological subject
1
Subject Terms
men
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33
literary theme
28
text
26
women
19
nudes
11
children
8
angels
6
gowns
6
trees
6
clouds
5
architectural subject
4
grass
4
hats
4
vines
4
beard
3
beds
3
book
3
costume
3
cups
3
dead
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Associated Places
England
4
United Kingdom
4
Birmingham
3
Baskerville House
1
Berkshire
1
Boeotia
1
Centenary Square
1
Eton
1
Greece
1
Showell Green
1
Sparkbrook
1
Thames
1
Thebes
1
Voíótía
1
Windsor
1
Windsor Bridge
1
Associated People
Apollo
1
Diana
1
Niobe
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
28
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
32
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
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1792
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1
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
2
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
3
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
4
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
5
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
6
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
7
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
8
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
9
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
11
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
12
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
13
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
14
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
15
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
16
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
17
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
18
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
21
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
22
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
23
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
24
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
25
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
26
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
27
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
28
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
29
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
30
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
31
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
32
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
33
Figures engraved by William Sharp, 1749–1824
Niobe
1792