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Collection
Prints and Drawings
72
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Boydell, John, 1720–1804
8
Boydell, Josiah, 1752–1817
7
Bartolozzi, Francesco, 1727–1815
6
Browne, John, 1741–1801
6
Ellis, William, 1747–1810
6
Johnson, Joseph, 1738–1809
5
Witton, P. H. Jr., Active 1792
5
Knight, Charles, 1743–c.1826
3
Lawrence, Thomas, Sir, 1769–1830
3
Opie, John, 1761–1807
3
Colnaghi,, established 1760, active ca. 1785–1911
2
Condé, John, 1765–1794
2
Cosway, Richard, 1742–1821
2
Jeffryes, John, active 1793–1804
2
Reynolds, Joshua, Sir, 1723–1792
2
Ryder, Thomas, 1746–1810
2
Bell, John, 1745–1831
1
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Date
1830
134
1793
108
1859
101
1797
98
1834
96
1818
88
1789
84
1999
80
1792
[remove]
72
1808
70
1836
70
1814
68
1630
65
1799
65
1807
65
1835
64
1816
61
1833
60
1794
59
1800
57
1811
57
1803
53
1819
53
1827
53
1820
52
1812
50
1850
50
1739
42
1826
42
1813
40
1821
39
1897
38
1825
37
1745
36
1822
36
1896
32
1824
31
1890
31
1795
30
1802
30
1832
30
1983
30
1925
29
1735
28
1773
28
1791
28
1809
28
1765
26
1864
26
1990
26
1751
25
1810
25
1779
24
1902
24
1783
23
1796
23
1855
23
1916
23
1887
22
1907
22
1911
22
1732
21
1772
21
1839
21
1915
21
1927
21
1768
20
1780
20
1817
20
1823
20
1842
20
1863
20
2012
20
1790
19
1829
19
1893
19
1950
19
1741
18
1775
18
1776
18
1782
18
1787
18
1806
18
1857
18
1906
18
1913
18
1922
18
1923
18
1995
18
1715
17
1740
17
1838
17
1865
17
1904
17
1912
17
1926
17
1736
16
1753
16
1762
16
1769
16
On-site Access
Accessible in the Study Room
72
Image Use
Free to Use
72
Image Available
Available
[remove]
72
Classification
Prints
72
Creator Gender
male
72
female
2
Collective Title
Young's Night Thoughts
38
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
5
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
5
British Theatre
1
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
64
18th century-19th century
6
19th century
1
Materials & Techniques
etching (printing process)
[remove]
72
line engraving
46
wove paper
46
watercolor
42
laid paper
25
stipple engraving
13
aquatint
8
hand coloring
4
colored ink
2
color printing
1
engraving (printing process)
1
mezzotint
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
75
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
160
Work Type
intaglio print
71
relief print
38
watercolor
38
Genre
literary theme
41
landscape
14
architectural subject
13
genre subject
12
portrait
9
historical subject
3
religious and mythological subject
2
animal art
1
cityscape
1
marine art
1
Subject Terms
literary theme
40
text
37
men
33
women
27
trees
17
nudes
16
architectural subject
12
clouds
12
landscape
12
genre subject
10
angels
9
children
9
costume
8
river
8
ruins
8
wings
8
woman
8
dress
7
gowns
7
grass
7
more
Subject Terms
»
Associated Places
England
7
United Kingdom
7
Birmingham
5
Baskerville House
1
Beddington
1
Beddington Park
1
Berkshire
1
Boeotia
1
Bordesley
1
Bordesley Hall
1
Carew Manor
1
Centenary Square
1
Eton
1
Greater London
1
Greece
1
New Meeting Chapel
1
Showell Green
1
Sparkbrook
1
St. Mary's Church, Beddington
1
Thames
1
more
Associated Places
»
Associated People
Apollo
1
Diana
1
Farren, Elizabeth (1759x62–1829), actress
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Montagu (née Robinson), Elizabeth (1718–1800), author and literary hostess
1
Niobe
1
Robinson, Mary (1756/1758?–1800), author and actress
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
39
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
60
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Bequest of William S. Konecky
1
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art; Gift of David Bindman
1
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Materials & Techniques
etching (printing process)
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Date
1792
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1
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
2
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
3
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
4
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
5
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
6
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
7
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
8
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
10
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
11
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
12
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
13
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
14
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
15
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
16
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
17
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
18
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
19
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
20
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
21
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
22
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
23
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
24
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
26
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
27
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
28
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
29
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
30
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
31
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
32
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
33
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
34
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
35
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
36
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
37
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
38
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
39
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
40
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
41
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
42
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
43
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
44
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
45
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
46
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
47
Print made by William Byrne, 1743–1805
View of the Orangery and Pagoda in the Garden of Scoonenberg
1792
48
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
49
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
50
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
51
Print made by Robert Dodd, 1748–1816
The Indian Emperor
1792
52
Print made by John Browne, 1741–1801
Morning
ca. 1797
53
Print made by John Browne, 1741–1801
Evening
ca. 1797
54
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
55
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
56
Print made by John Browne, 1741–1801
Evening
ca. 1797
57
Figures engraved by William Sharp, 1749–1824
Niobe
1792
58
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
59
Print made by John Condé, 1765–1794
Melania
1792
60
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
61
John Eginton, active 1763–1800
The Affectionate Daughter
1792
62
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
63
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
64
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
65
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
66
William Ellis, 1747–1810
Beddington
1792
67
William Ellis, 1747–1810
The New Meeting
1792
68
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
69
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
70
Print made by William Dent, active 1784–1793
Flying News or Seringapatam Taken by Strategem
1792
71
Print made by Richard Newton, 1777–1798
The World As It Goes
1792
72
Print made by John James Chalon, 1778–1854
Portrait of a Man with Hat
1792