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William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
Thomas Cheesman Lady Hamilton as the Spinster
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as the Spinster
1789
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
Frederick Landseer Maur Griggs Anglia Pedita
Print made by Frederick Landseer Maur Griggs, 1876–1938
Anglia Pedita
1925
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Sir David Young Cameron The Five Sisters, York Minister
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
Sir David Young Cameron The Little Devil of Florence
Print made by Sir David Young Cameron, 1865–1945
The Little Devil of Florence
1907
Sir Muirhead Bone Rainy Night in Rome
Print made by Sir Muirhead Bone, 1876–1953
Rainy Night in Rome
1914
Arthur John Reginald Trevor Briscoe In the Tropics
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
In the Tropics
1928
John Copley In My Studio
Print made by John Copley, 1875–1950
In My Studio
1949
Lucas Vorsterman I Franciscus de Moncada
Print made by Lucas Vorsterman I, 1595–1675
Franciscus de Moncada
ca. 1635
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
John Copley Pink Vase (Self-Portrait)
Print made by John Copley, 1875–1950
Pink Vase (Self-Portrait)
1949
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
Giovanni Vendramini Knives, Scissars, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
Sir Muirhead Bone Piccadilly Circus
Sir Muirhead Bone, 1876–1953
Piccadilly Circus
1915
William Doughty The Honorable Augustus Keppel, Admiral of the Blue
Print made by William Doughty, 1757–1782
The Honorable Augustus Keppel, Admiral of the Blue
1779
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Thomas Malton the Younger Cambridge University: Emmanuel College
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
William Nelson Gardiner January
Print made by William Nelson Gardiner, 1766–1814
January
1788
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Joseph Grozer Viscountess Duncannon
Print made by Joseph Grozer, ca. 1755–1798
Viscountess Duncannon
ca. 1785
Henri Emile Lefort Benjamin Franklin
Print made by Henri Emile Lefort, 1852–1916
Benjamin Franklin
1896
Johann Jacobus Haid La benedicite
Print made by Johann Jacobus Haid, 1704–1767
La benedicite
undated
Johann Jacobus Haid La gouvernante
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
Thomas Girtin View of the City with the Louvre taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
Thomas Girtin A General View of Paris taken from Chaillot
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont St. Michael taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Thomas Girtin A View of Pont Neuf, the Mint and etc.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Chambars Mrs. Quarrington as St. Agnes
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Quarrington as St. Agnes
ca. 1787
Sir Frank William Brangwyn Trees and Factory at Hammersmith
Print made by Sir Frank William Brangwyn, 1867–1956
Trees and Factory at Hammersmith
1903
William Miller Fontainebleau
Print made by William Miller, 1796–1882
Fontainebleau
1835
William Miller Malmaison
Print made by William Miller, 1796–1882
Malmaison
1835
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Nicolas Beatrizet Pantheum Romanum nunc Mariae Cognomento
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
Etienne Dupérac Insula Tiberina
Print made by Etienne Dupérac, ca. 1535–1604
Insula Tiberina
1582
Ernest Stephen Lumsden The Lamas
Print made by Ernest Stephen Lumsden, 1883–1948
The Lamas
1919
Hedley Fitton St. Bartholomew's Gateway
Hedley Fitton, 1859–1929
St. Bartholomew's Gateway
undated
John Horsburgh Hotel de Ville, Paris
Print made by John Horsburgh, 1791–1869
Hotel de Ville, Paris
1834
William Miller The Simplon
Print made by William Miller, 1796–1882
The Simplon
1834
William Elliot Kilgarren Castle, South Wales
William Elliot, active 1774, died 1792
Kilgarren Castle, South Wales
1765
Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin View of St. Cloud and Mount Cavalary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve