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Materials & Techniques etching (printing process)

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 40

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Search Results

William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
unknown artist Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
Print made by unknown artist
Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
1547
Nicolas Beatrizet Theatrum Sive Coliseum Romanum
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Theatrum Sive Coliseum Romanum
1538
Hendrick van Schoel Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
Print made by Hendrick van Schoel, died 1622
Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
1548
John Browne The Sportsman
Print made by John Browne, 1741–1801
The Sportsman
1775
Edward Goodall Oxford from North Hinksey
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
John Boydell Night
Print made by John Boydell, 1720–1804
Night
1756
Paul Sandby The Victor Conducted in Triumph
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
Samuel Rawle Hylton Castle, County of Durham
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
John Pye A View of Oxford from the Abingdon Road
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
James C. Allen Ivy Bridge, Devonshire
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
John Hassell View of Sion House from the Banks of the Thames
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
Robert Brandard Crossing the Brook
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
Pieter de Jode II Ioannes Snellincx
Print made by Pieter de Jode II, ca. 1606–1674
Ioannes Snellincx
ca. 1635
Robert Pollard Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
John Hamilton Mortimer Caliban, from The Tempest
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Thomas Malton the Younger The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
Francis David Soiron The Promenade in St. Jame's Park
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
unknown artist The Double Deliverance, 1588–1605
Print made by unknown artist
The Double Deliverance, 1588–1605
1621
Benjamin Cole Merchant Taylors' School and St. Paul's School
Print made by Benjamin Cole, 1697–1783
Merchant Taylors' School and St. Paul's School
1756
John Horsburgh Napoleon's Logemont, Quai Conti
Print made by John Horsburgh, 1791–1869
Napoleon's Logemont, Quai Conti
1834
Francesco Bartolozzi A Lecture on Gadding
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789
Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
William Carpenter Charles Fox
Print made by William Carpenter, 1818–1899
Charles Fox
1849
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Francis David Soiron The Promenade in St. James's Park
Francis David Soiron, Born 1764
The Promenade in St. James's Park
1793
Edward Rooker The Summit of Cader Idris Mountain
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
William Woollett Snowden Hill
William Woollett, 1735–1785
Snowden Hill
1775
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
B. Winkles Interior of Westminster Hall as Prepared for the Banquet
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
William Daniell A View of the East India Docks
Print made by William Daniell, 1769–1837
A View of the East India Docks
1808
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
Giovanni Vendramini Knives, Scissors, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808