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Materials & Techniques brown wash

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Date 1817

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John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
Richard Parkes Bonington Road Workers, near Lillebonne
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
Isaac Weld After Pinnelli - Group of Peasants Outside a Church
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
Isaac Weld "After Pinnelli" (Group of Peasants Outside a House)
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
Richard Parkes Bonington A Seascape
Richard Parkes Bonington, 1802–1828
A Seascape
undated
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Frederick Tayler Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
John Frederick Tayler Six Foxhounds Resting
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
Sir Edwin Henry Landseer Sir Massey Storey Cooking the Turtle
Sir Edwin Henry Landseer, 1802–1873
Sir Massey Storey Cooking the Turtle
undated
John Sell Cotman East End of the Abbey Church of St. Paul at Rouen, Normandy
John Sell Cotman, 1782–1842
East End of the Abbey Church of St. Paul at Rouen, Normandy
1817
John Sell Cotman Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
John Sell Cotman, 1782–1842
Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux
1817
John Sell Cotman South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy
John Sell Cotman, 1782–1842
South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy
1817
John Sell Cotman Part of the Old Fortifications at Saint Lo, Normandy
John Sell Cotman, 1782–1842
Part of the Old Fortifications at Saint Lo, Normandy
1817
John Sell Cotman Knapton Church, Norfolk, from the North-East
John Sell Cotman, 1782–1842
Knapton Church, Norfolk, from the North-East
1817
John Sell Cotman View of the Donjon of Château Gaillard, near Andelys, Normandy
John Sell Cotman, 1782–1842
View of the Donjon of Château Gaillard, near Andelys, Normandy
ca. 1822
Hon. Henrietta Anne Fortescue Cascatella, Tivoli, 1817
Hon. Henrietta Anne Fortescue, ca. 1765–1841
Cascatella, Tivoli, 1817
1817