View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
3103
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
3104
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
3105
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
3106
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
3107
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
3108
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
3109
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
1826
3110
Capt. Thomas Hastings, 1778–1854
Between West Cowes and Newport, 20 February 1826
1826
3111
Capt. Thomas Hastings, 1778–1854
Sketch of a Ship on a Stormy Sea
between 1826 and 1830
3112
Capt. Thomas Hastings, 1778–1854
From the White Hart, 29 February 1826
1826
3113
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
3114
Capt. Thomas Hastings, 1778–1854
Cowes, 3 February 1826
1826
3115
unknown artist
Building Plans and ornate Architectural Designs
undated
3116
Thomas Stothard, 1755–1834
Untitled
undated
3117
William Pars, 1742–1782
Measured Drawing of Sculpture in Gymnasium at Ephesus
undated
3118
unknown artist
Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
ca. 1785
3119
unknown artist
Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
ca. 1785
3120
unknown artist
Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
ca. 1785
3121
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
3122
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
3123
William Pars, 1742–1782
Landscape with Temple Ruins at Sunium
undated
3124
Robert Bremmel Schnebbelie, active 1803–1849
Plan of St. James's Market
undated
3125
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
3126
Willey Reveley, 1760–1799
Views in the Levant: View of a Harbour and Town From the Sea, Turkey
ca. 1785
3127
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
3128
Print made by John Doyle ('H.B.'), 1797–1868
Perseus Flying to the Rescue of Andromeda
1847
3129
Print made by John Doyle ('H.B.'), 1797–1868
Alarming Case of Indigestion: The Doctor Called In
1847
3130
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
3131
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
3132
Print made by John Doyle ('H.B.'), 1797–1868
The Old Donkey Turned Restive at Last
1848
3133
Print made by John Doyle ('H.B.'), 1797–1868
Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
1848
3134
Print made by John Doyle ('H.B.'), 1797–1868
Another Saint Sebastian, Shot at by Cruel Archers
1847
3135
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
3136
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
3137
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
3138
Print made by John Doyle ('H.B.'), 1797–1868
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
3139
Print made by John Doyle ('H.B.'), 1797–1868
The Ass and the Sick Lion
1849
3140
Print made by John Doyle ('H.B.'), 1797–1868
The Man Wot "Whips the House Out"
1849
3141
Print made by Richard Earlom, 1743–1822
A Study
1810
3142
Print made by Richard Earlom, 1743–1822
A Landscape
1817
3143
Print made by Richard Earlom, 1743–1822
A Study, with Ancient Ruins
1810
3144
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
3145
John Flaxman, 1755–1826
Study of a Gentleman, called Dr. Johnson
undated
3146
Louis Philippe Boitard, active 1734–1760
Man Asleep leaning against a table
undated
3147
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
3148
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
3149
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
3150
Gangaram Chintaman Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
3151
Thomas Rowlandson, 1756–1827
The Launching of a Ship
ca. 1800
3152
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
3153
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
3154
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
3155
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
3156
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
3157
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
3158
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
3159
Harry Willson, Active 1813–1852
Entrance Gate to Printers
undated
3160
Thomas Rowlandson, 1756–1827
Nymphs at a Roman Bath
undated
3161
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
undated
3162
Thomas Rowlandson, 1756–1827
Serving Punch
between 1815 and 1820
3163
Thomas Rowlandson, 1756–1827
Drury Lane. The School for Scandal
undated
3164
Thomas Rowlandson, 1756–1827
The Paris Diligence
undated
3165
Thomas Rowlandson, 1756–1827
Harvesters Setting Out
undated
3166
Thomas Rowlandson, 1756–1827
Scene Outside an Inn
undated
3167
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
3168
Thomas Rowlandson, 1756–1827
A Summer Idyll
between 1810 and 1815
3169
Thomas Rowlandson, 1756–1827
The Launching of H.M.S. 'Hibernia' 1804
ca. 1804
3170
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
3171
Louis Laguerre, 1663–1721
Design for a Decoration at Chatsworth
undated
3172
Attributed to Batty Langley, 1696–1751
Moody Hall: Front Elevation and Principal Floor Plan
undated
3173
Attributed to Batty Langley, 1696–1751
Moody Hall: Floor Plan of the First Design
undated
3174
Sir Jeffry Wyatville, 1766–1840
Design for Bridge over Great Western Road
ca. 1826
3175
Samuel Scott, 1701/2–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
3176
Sir Jeffry Wyatville, 1766–1840
Design for Rustic Bridge below the Cascade, Virginia Water
1828
3177
Sir Jeffry Wyatville, 1766–1840
Design for the Old Lime Kiln Seat, Home Park, Windsor
undated
3178
Walter Richard Sickert, 1860–1942
Venezia
undated
3179
Hercules Brabazon Brabazon, 1821–1906
The Infant Balthasar Carlos
undated
3180
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
3181
George Moutard Woodward, ca. 1760–1809
A Family Likeness
undated
3182
attributed to Sir David Wilkie, 1785–1841
Studies of Heads
undated
3183
Giulio Aristide Sartorio, 1860–1932
Male and Female Figures
undated
3184
Giulio Aristide Sartorio, 1860–1932
Nude Woman with Bow and Arrow
undated
3185
Giulio Aristide Sartorio, 1860–1932
Study for Bacchanal
ca. 1894
3186
Giulio Aristide Sartorio, 1860–1932
Figures and Classical Ruins
undated
3187
Giulio Aristide Sartorio, 1860–1932
Acrobatic Figures
undated
3188
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: Elevation
1838
3189
Thomas Stothard, 1755–1834
The Club
undated
3190
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: South Elevation
ca. 1801
3191
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: East Elevation
ca. 1801
3192
Benjamin West, 1738–1820
Woman and Girl at a Writing Desk
undated
3193
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: South Elevation
ca. 1801
3194
Alphonse Legros, 1837–1911
A Young Boy
1903
3195
Rev. William Warren Porter, 1776–1804
On the Wye
undated
3196
John Webber, 1752–1793
View on the Lake, Como
1787
3197
George Richmond, 1809–1896
The Sower
1830
3198
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
3199
Sir William Chambers, 1723–1796
Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome