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Collection
Prints and Drawings
65
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
36
Rowlandson, Thomas, 1756–1827
13
Goldsmith, Oliver, 1728–1774
10
Easling, J. C., fl.1788–1815
8
Dunkarton, Robert, 1744–1811
5
Haydon, Benjamin Robert, 1786–1846
5
Say, William, 1768–1834
5
Annis, William T., active 1798–1811
4
Clint, George, 1770–1854
3
Hunt, William Henry, 1790–1864
3
Bradshaw, Thomas, Born 1767
2
Dawe, Henry E., 1790–1848
2
Howitt, Samuel, 1756–1822
2
Goodridge, Henry Edmund, 1797–1864
1
Kempshead, John, active 1808
1
Lewis, Frederick Christian the Elder, 1779–1856
1
Linnell, John, 1729–1796
1
Unknown artist
1
Date
1867
257
1771
207
1772
153
1800
130
1832
103
1745
95
1804
93
1770
92
1758
76
1775
76
1846
71
1812
[remove]
65
1787
63
1802
63
1784
55
1738
52
1817
51
1790
50
1748
46
1785
45
1841
45
1813
43
1818
42
1768
41
1786
41
1811
41
1789
40
1765
39
1827
39
1826
38
1700
37
1825
37
1819
36
1717
35
1816
35
1808
31
1795
30
1807
30
1820
30
1834
30
1810
29
1821
29
1814
28
1762
27
1777
27
1815
27
1836
27
1755
26
1780
26
1793
26
1805
26
1848
26
1835
24
1837
24
1833
23
1801
22
1809
22
1760
21
1773
21
1791
21
1749
20
1792
20
1830
20
1690
19
1797
19
1847
19
1798
18
1839
18
1896
18
1779
17
1828
17
1851
17
1740
16
1794
16
1823
16
1838
16
0
15
1796
15
1799
15
1806
15
1822
15
1761
14
1781
14
1782
14
1783
14
1875
14
1774
13
1829
13
1843
13
1712
12
1723
12
1747
12
1766
12
1778
12
1866
12
1756
11
1759
11
1840
11
1849
11
1753
10
On-site Access
Accessible in the Study Room
61
On view
4
Image Use
Free to Use
65
Image Available
Available
[remove]
65
Classification
Prints
36
Drawings & Watercolors
27
Drawing & Watercolors-Architectural
2
Creator Gender
male
64
unknown
1
Collective Title
Liber Studiorum
36
Illustrations to "The Vicar of Wakefield"
10
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
5
Sketchbook of Landscape and Portrait Studies
2
Period
19th century
65
Materials & Techniques
brown ink
[remove]
65
wove paper
49
etching (printing process)
36
mezzotint
35
graphite
24
watercolor
22
laid paper
14
pen
14
red ink
11
tracing
8
gray ink
5
black ink
3
canvas
1
gouache
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
74
Unknown
2
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
116
Unknown
2
Work Type
intaglio print
36
drawing
26
watercolor
20
frontispiece
1
Genre
landscape
26
genre subject
18
architectural subject
17
marine art
8
animal art
6
religious and mythological subject
6
literary theme
2
cityscape
1
figure study
1
still life
1
Subject Terms
genre subject
14
landscape
10
men
10
trees
10
vicar
10
women
8
architectural subject
6
children
6
hats
6
religious and mythological subject
6
death
5
dog (animal)
5
horses (animals)
5
animal art
4
church
4
man
4
woman
4
arrow
3
crowd
3
dogs (animals)
3
more
Subject Terms
»
Associated Places
England
14
Europe
14
United Kingdom
14
Wakefield
10
Yorkshire
10
Alps
3
Chamonix-Mont-Blanc
3
France
3
Haute-Savoie
3
Mer de Glace (glacier)
3
Mont Blanc
3
Rhône-Alpes
3
London
2
Aldenham
1
Blackfriar's Bridge
1
Burlington House
1
City of Westminster
1
Hertfordshire
1
Hinton St George
1
Israel
1
more
Associated Places
»
Associated People
Cephalus
3
Procris
3
Rispah
2
Rizpah
1
Exhibition History
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
4
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Sidesaddle, 1690-1935 (National Sporting Library and Museum, 2018-09-07 - 2019-03-24)
1
Thomas Rowlandson - Pleasures and Pursuits in Georgian England (Block Museum of Art, 2011-01-14 - 2011-03-13)
1
Thomas Rowlandson - Pleasures and Pursuits in Georgian England (Frances Lehman Loeb Art Center, 2011-04-08 - 2011-06-12)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
63
Yale Center for British Art, Paul Mellon Fund
2
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Materials & Techniques
brown ink
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Date
1812
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1
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
2
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
3
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
4
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
On view
5
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
6
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
7
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
8
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
9
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
10
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
11
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
12
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
13
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
14
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
15
Print made by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
On view
16
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
17
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
18
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
19
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
20
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
21
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
22
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
23
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece to the 'Liber Studiorum'
1812
24
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
25
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
26
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
27
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
28
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
29
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
30
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
31
Etched by Joseph Mallord William Turner, 1775–1851
Water Mill
1812
32
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
33
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
On view
34
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
35
Etched by Joseph Mallord William Turner, 1775–1851
Peat Bog, Scotland
1812
On view
36
Print made by Joseph Mallord William Turner, 1775–1851
Crypt of Kirkstall Abbey
1812
37
Henry Edmund Goodridge, 1797–1864
View of Prior Park
undated
38
Samuel Howitt, 1756–1822
Black-backed Jackal
ca. 1817
39
Samuel Howitt, 1756–1822
The Canada Lynx from the Life
ca. 1817
40
Thomas Bradshaw, Born 1767
Profile of a Man with an Umbrella
1812
41
John Kempshead, active 1808
Plan for Entrance at Hinton St. George
1812
42
William Henry Hunt, 1790–1864
Old Farm Buildings
ca. 1817
43
William Henry Hunt, 1790–1864
St. Paul's Cathedral and Blackfriar's Bridge
ca. 1817
44
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
45
Thomas Bradshaw, Born 1767
Trees Alongside a River with Buildings in the Distance
1812
46
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
47
unknown artist
Aldborough, September 4th, 1812
1812
48
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
49
Benjamin Robert Haydon, 1786–1846
Study of a Group of People Talking
1812
50
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
51
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
52
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
53
Thomas Rowlandson, 1756–1827
Dr Syntax Alarmed by a Whale
1812
54
Thomas Rowlandson, 1756–1827
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
55
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
56
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
57
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
58
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
59
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
60
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
61
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
62
Benjamin Robert Haydon, 1786–1846
Study of Seated Figures
1812
63
Benjamin Robert Haydon, 1786–1846
The Prince Regent, Scene iV
1812
64
Benjamin Robert Haydon, 1786–1846
Study of a Lioness
1812
65
Benjamin Robert Haydon, 1786–1846
Study of a Lioness
1812