"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
5
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
7
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
8
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
9
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
10
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
11
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
12
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
13
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
14
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
15
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
16
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
17
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
18
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
19
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
20
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
21
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
22
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
23
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
24
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
25
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
26
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
27
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
28
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
29
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
30
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
31
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
32
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
33
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
34
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
35
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
36
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
37
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
38
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
39
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
40
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room
ca. 1790
41
James Pollard, 1792–1867
The Meat Market
undated
42
John Hayter, 1800–1895
George Graham and His Wife, Margaret, Making a Balloon Ascent, London, 1823
1823
43
unknown artist
Bishop's Palace, Wells, Somerset: Lower Floor Plan of Octagon Tower
1832
44
unknown artist
George Inn, Glastonbury, Somerset: Sign Bracket
1832
45
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
48
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
49
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
50
John Frederick Tayler, 1802–1889
"Fanny's Colt", July 26, 1886
1886
51
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
52
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
53
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
54
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
55
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
56
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
57
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
58
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
59
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
60
Wyndham Lewis, 1882–1957
Illustration to "Beyond This Limit"
undated
61
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
62
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
63
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
64
James Seymour, 1702–1752
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
65
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
66
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
67
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
68
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
69
unknown artist
The Nile, Looking towards Nabia
ca. 1869
70
Attributed to Daniel Lysons, 1762–1834
Memorial to Benjamin Lucas from Brentford Church
between 1796 and 1811
71
Attributed to Daniel Lysons, 1762–1834
Monument of Lady Cheynie of Chelsea
between 1796 and 1811
72
Attributed to Daniel Lysons, 1762–1834
Tomb of Richard Wright from Chiswick Church
between 1796 and 1811
73
Daniel Lysons, 1762–1834
Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
between 1796 and 1811
74
Attributed to Daniel Lysons, 1762–1834
Memorial to Rt. Hon. Edmond Lord Sheffield from Fulham Church
between 1796 and 1811
75
Attributed to Daniel Lysons, 1762–1834
Brass Plate, unidentified, from Greenford Church
between 1796 and 1811
76
Attributed to Daniel Lysons, 1762–1834
Memorial to Jacob Augustus Blondel from Stepney Church
between 1796 and 1811
77
Attributed to Daniel Lysons, 1762–1834
Memorial to Crayle Cayle from Acton Church
between 1796 and 1811
78
Attributed to Daniel Lysons, 1762–1834
Brass Plate of Henry and Julia Redman and two Children from Brentford Church
between 1796 and 1811
79
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Thomas Chaloner
between 1796 and 1811
80
Attributed to Daniel Lysons, 1762–1834
Arms and Inscription on Tomb of Sir Edward Fenner of Hays from Hayes Church
between 1796 and 1811
81
William Callow, 1812–1908
The Rialto
1846
82
Attributed to Daniel Lysons, 1762–1834
Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church
between 1796 and 1811
83
Attributed to Daniel Lysons, 1762–1834
Memorial of Mrs. Elizabeth Jessop and Mrs. Elizabeth Cobden and Epithaph of Mrs. Codben from Acton Church
between 1796 and 1811
84
Attributed to Daniel Lysons, 1762–1834
Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church
between 1796 and 1811
85
Attributed to Daniel Lysons, 1762–1834
Brass Plate of a Kneeling Man
between 1796 and 1811
86
Attributed to Daniel Lysons, 1762–1834
Memorial to Martha, Philip and George Joseph Cocks from Acton Church
between 1796 and 1811
87
Attributed to Daniel Lysons, 1762–1834
Memorial to Daniel and Anne Wait from Acton Church
between 1796 and 1811
88
Attributed to Daniel Lysons, 1762–1834
Memorial to Henry Hawley
between 1796 and 1811
89
Attributed to Daniel Lysons, 1762–1834
Memorial to Christopher Clitherow, Rachel Clitherow and Six of her 19 Children from Brentford
between 1796 and 1811
90
Attributed to Daniel Lysons, 1762–1834
Memorial to Mary Buckby and Ann Skinner from Chelsea Church
between 1796 and 1811
91
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Thomas Chaloner
between 1796 and 1811
92
Attributed to Daniel Lysons, 1762–1834
Memorial to Marie Walker from Chadwick Church
between 1796 and 1811
93
Attributed to Daniel Lysons, 1762–1834
Memorial to Charles Barnevett from Chiswick Church
between 1796 and 1811
94
Attributed to Daniel Lysons, 1762–1834
Memorial to Anne Barker from Chadwick Church
between 1796 and 1811
95
Attributed to Daniel Lysons, 1762–1834
Memorial to Richard and Thomas Carey from Chiswick Church
between 1796 and 1811
96
Attributed to Daniel Lysons, 1762–1834
Memorial to Tabitha Dickonson from Chiswick Church
between 1796 and 1811
97
Attributed to Daniel Lysons, 1762–1834
Memorial to Richard Taylor from Chiswick Church
between 1796 and 1811
98
Attributed to Daniel Lysons, 1762–1834
Memorial to her Grace Charlotte, Duchess of Somerset from Chiswick Church
between 1796 and 1811
99
Daniel Lysons, 1762–1834
Memorial to Vere Warner also Robert and Jane Kennel from Chiswick Church