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1
- A Cow Lodge with a Mossy Roof
- ca. 1829
2
- Abraham and Isaac
- 1799 to 1800
3
- Standing Girl
- undated
4
- Lisbon from the Convent of St. Francis da Citadel
- 1774
5
- Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
- ca. 1733
6
- Entrance to Stonehouse Creek, between Plymouth and Dock, Devon
- undated
7
- Indian Statue
- undated
8
- Unidentified Country House: Rear Elevation
- undated
9
- Design for an Unidentifued House in the Palladian Style
- undated
10
- Maraccas Waterfall
- 1851
11
- Cascade at St. Anns
- 1851
12
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
13
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
14
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
15
- Halfway House, Sadler's Wells
- 1780
16
- The Rows, Chester
- 1807
17
- A Valley
- between 1775 and 1780
18
- A Gentleman or A Cleric wearing a Long Gown and Bands
- undated
19
- Cowes Castle, Isle of Wight
- undated
20
- Prince of Wales Island, Penang
- undated
21
- Cobham Hall, Kent: Chamber Floor Plan
- ca. 1790
22
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
23
- Figure Studies
- undated
24
- Design for Title Page
- undated
25
- Testi di Madoqua (Antelope Head and Skulls)
- undated
26
- An Orchestra Rehearsing
- undated
27
- Abstract Composition
- 1945
28
- Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
- undated
29
- Tribunal House, Glastonbury, Somerset: Elevation and Details of Windows
- 1832
30
- Bishop's Palace, Wells, Somerset: Section and Elevation of the Conduit in the Garden
- 1832
31
- George Inn, Glastonbury, Somerset: Plans of Frontages and Ground Plan
- 1832
32
- George Inn, Glastonbury, Somerset: Details
- 1832
33
- Musical Instruments
- undated
34
- Illustration to "Beyond This Limit"
- undated
35
- A Parliamentary "Souvenir"
- 1848
36
- "Concert Monstre" of "Musical Congress" Extraordinary!
- 1849
37
- Design for a London Townhouse: Elevation
- undated
38
- Self Portrait
- early 1890's
39
- Full Cry
- undated
40
- Rievaulx Abbey, Yorkshire
- 1942
41
- Faim, Soif, Cris, Danse, Danse, Danse
- 1949
42
- York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground
- ca. 1809
43
- Boston Manor, Brentford, Middlesex
- undated
44
- Wooded Landscape with Cattle, Figures and a House
- undated
45
- Design for the Interior of a Room
- undated
46
- Cobham Hall, Kent: Elevation of Fireplace and Overmantel
- ca. 1790
47
- Sketch of the Plan of the Church of Saint Wenceslas in Prague
- 1802-1804
48
- Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
- 1802-1804
49
- Bishop's Palace, Wells, Somerset: Plan of the Great Hall
- 1832
50
- Bishop's Palace, Wells, Somerset: Detail of Compartment of Great Hall
- 1832
51
- Bishop's Palace, Wells, Somerset: Plan, Elevations and Details of Window
- 1832
52
- Bishop's Palace, Wells, Somerset: Plan and Details of Conduit in the Garden
- 1832
53
- Tribunal House, Glastonbury, Somerset: Wall Plan and Front Elevation
- 1832
54
- Variant Designs for the Somerset Monument: Elevation
- undated
55
- The Acacia Tree - Figures in a Park
- undated
56
- The Tooth Drawer
- undated
57
- View of London from Richmond House, Whitehall
- undated
58
- Memorial to Elizabeth and Sir Timothy Lannoy from Hammersmith Chapel of Ease
- between 1796 and 1811
59
- Do Thal Temple at Ellora
- between 1793 and 1795
60
- Farah Bagh near Ahmednagar
- between 1790 and 1796
61
- Johnny MacCree in the Dumps
- undated
62
- Ravana Shaking Mount Kailasa below Shiva and Parvati, Relief Sculpture at Ellora
- between 1793 and 1795
63
- Piece of a Tombstone from Barking Chruch, Essex
- 1809
64
- Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church
- between 1796 and 1811
65
- Memorial to Ann Wainewright, from Chiswick Church
- between 1796 and 1811
66
- Memorial to William Thompson, and to Elizabeth and Samuel Wegg, and Sarah Leheup, from Acton Church
- between 1796 and 1811
67
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
68
- Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
- undated
69
- Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
- undated
70
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
71
- The Return of the Fleet to Great Yarmouth in 1797
- 1797
72
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
73
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
74
- Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
- undated
75
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
76
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
77
- Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
- undated
78
- Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
- undated
79
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
80
- Study of a Seated Woman
- undated
81
- Weighing Scale
- undated
82
- Section of arches and stairs of the temple at Baalbec
- undated
83
- View of a Garden
- 1748
84
- View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes
- 1819
85
- Premiere Position pour tirer L'Epée
- 1763
86
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
87
- Position pour la Garde en Quarte
- 1763
88
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
89
- Quatrieme Position du Salut
- 1763
90
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
91
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
92
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
93
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
94
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
95
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
96
- De la Parade Dequinte sur le Coup de Quinte
- 1763
97
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
98
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
99
- View of Plymouth taken from the Seven Trees, Exeter Road
- undated
100
- Westminster Bridge from Lambeth Walk
- undated