"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
5
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
6
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
7
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
8
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
9
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
10
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
11
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
12
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
13
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
14
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
15
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
16
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
17
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
18
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
19
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
20
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
21
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
22
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
23
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
24
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
25
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
26
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
27
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
28
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
29
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
30
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
31
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
32
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
33
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
34
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
35
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
36
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
37
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
38
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
39
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
40
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
41
Paul Arthur Hogarth, 1917–2001
Peep Show / 42 Street
undated
42
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
43
unknown artist
Landscape with Smokestack
undated
44
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
45
Samuel Scott, ca. 1702–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
46
unknown artist
The Nile, Looking towards Nabia
ca. 1869
47
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
48
James Pollard, 1792–1867
The Meat Market
undated
49
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
50
George Richmond, 1809–1896
Portrait of Catherine Blake
ca. 1830
51
William Wickham, born ca.1750
Unidentified House for Giles Hudson, Putney, Surrey: Ground Floor Plan
undated
52
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
53
unknown artist
Bishop's Palace, Wells, Somerset: First Floor Plan of Octagon Tower
1832
54
Sir Robert Smirke the younger, 1781–1867
Apollo Epicurus
1802-1804
55
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
56
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
57
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
58
John Frederick Tayler, 1802–1889
"Fanny's Colt", July 26, 1886
1886
59
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
60
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
61
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
62
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
63
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
64
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
65
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
66
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
67
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
68
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
69
Captain T. Richbell, active 1792–1825
Man of War with Other Shipping
1791
70
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
71
William Callow, 1812–1908
The Rialto
1846
72
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room
ca. 1790
73
Charles Tomkins, 1757–1823
Boston Manor, Brentford, Middlesex
undated
74
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
75
Sawrey Gilpin, 1733–1807
Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"
between 1768 and 1769
76
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
77
Henry Swinburne, 1743–1803
Rocky Landscape with Waterfalls and Goats
undated
78
unknown artist
Bishop's Palace, Wells, Somerset: Lower Floor Plan of Octagon Tower
1832
79
unknown artist
George Inn, Glastonbury, Somerset: Sign Bracket
1832
80
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
82
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
83
Attributed to Daniel Lysons, 1762–1834
Memorial of Mrs.Philippa Rous from Acton Church
between 1796 and 1811
84
Attributed to Daniel Lysons, 1762–1834
Memorial of Mrs. Elizabeth Jessop and Mrs. Elizabeth Cobden and Epithaph of Mrs. Codben from Acton Church
between 1796 and 1811
85
Attributed to Daniel Lysons, 1762–1834
Memorial to Martha, Philip and George Joseph Cocks from Acton Church
between 1796 and 1811
86
Attributed to Daniel Lysons, 1762–1834
Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church
between 1796 and 1811
87
Attributed to Daniel Lysons, 1762–1834
Memorial to Christopher Clitherow, Rachel Clitherow and Six of her 19 Children from Brentford
between 1796 and 1811
88
Attributed to Daniel Lysons, 1762–1834
Brass Plate of Henry and Julia Redman and two Children from Brentford Church
between 1796 and 1811
89
Attributed to Daniel Lysons, 1762–1834
Memorial to Lady Katherine, Viscountess Conway
between 1796 and 1811
90
Daniel Lysons, 1762–1834
Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
between 1796 and 1811
91
Attributed to Daniel Lysons, 1762–1834
Memorial to Anthony and Katherine Nourse from Fulham Church
between 1796 and 1811
92
Attributed to Daniel Lysons, 1762–1834
Memorial to Rt. Hon. Edmond Lord Sheffield from Fulham Church
between 1796 and 1811
93
Attributed to Daniel Lysons, 1762–1834
Memorial to Thomas Bonde from Fulham Church
between 1796 and 1811
94
Attributed to Daniel Lysons, 1762–1834
Memorial to Mrs. Mary Green
between 1796 and 1811
95
Attributed to Daniel Lysons, 1762–1834
Memorial to James Impey, Elijah Impey, Michael Impey, Martha Impey and Jane Sarah Impey
between 1796 and 1811
96
Attributed to Daniel Lysons, 1762–1834
Memorial to Maria Hutchinson and Michael Hutchinson from Fulham Church
between 1796 and 1811
97
Attributed to Daniel Lysons, 1762–1834
Memorial to Michael Gardiner and Margarita Browne from Greenford Church