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Materials & Techniques black ink

Work Type drawing

Width [cm] 15

Samuel Palmer Opening the Fold: Early Morning

Samuel Palmer, 1805–1881

Opening the Fold: Early Morning

ca. 1880

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

James Bruce Sketch of Man, Woman and Child

James Bruce, 1730–1794

Sketch of Man, Woman and Child

undated

Henry Phillip Hope Adrian Hope's House I: Plan of the Attic Floor

Henry Phillip Hope, active 1799–1818

Adrian Hope's House I: Plan of the Attic Floor

undated

unknown artist Portrait of Aazim Alomra

unknown artist

Portrait of Aazim Alomra

undated

Robert Mabon William Lee, October 1, 1792

Robert Mabon, died 1798

William Lee, October 1, 1792

1792

Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged

Gangaram Chintaman Tambat, active 1790s

Man with a Yellow Shawl Sitting Crosslegged

undated

Robert Mabon Standing Dignitary

Robert Mabon, died 1798

Standing Dignitary

undated

Gangaram Chintaman Tambat Portrait of a Priest of the Borahs [Bohras]

Attributed to Gangaram Chintaman Tambat, active 1790s

Portrait of a Priest of the Borahs [Bohras]

1794

Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee

Attributed to Gangaram Chintaman Tambat, active 1790s

Self-portrait of Gangaram as a Devotee

ca. 1790

J. Findlay Sir Violet Sighaway & Mr. Villiers

J. Findlay, active 1825–1857

Sir Violet Sighaway & Mr. Villiers

undated

J. Findlay Peter Callam & Elvira

J. Findlay, active 1825–1857

Peter Callam & Elvira

undated

Henri Gaudier-Brzeska Study for a Mother and Child Grouping

Henri Gaudier-Brzeska, 1891–1915

Study for a Mother and Child Grouping

between 1910 and 1915

Henri Gaudier-Brzeska Study for a Mother and Child Grouping

Henri Gaudier-Brzeska, 1891–1915

Study for a Mother and Child Grouping

between 1910 and 1915

Pierre-Etienne Falconet George Stubbs

Pierre-Etienne Falconet, 1741–1791

George Stubbs

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

James Wyatt Cobham Hall, Kent: Plan of Stables

James Wyatt, 1746–1813

Cobham Hall, Kent: Plan of Stables

ca. 1790

Henry Phillip Hope Adrian Hope's House I: Plan of the Chamber Floor

Henry Phillip Hope, active 1799–1818

Adrian Hope's House I: Plan of the Chamber Floor

undated

Samuel Wale Sion House

Samuel Wale, 1721–1786

Sion House

undated

Edward Francis Burney Theatrical Scene

Edward Francis Burney, 1760–1848

Theatrical Scene

undated

Sawrey Gilpin Two Tigers

Sawrey Gilpin, 1733–1807

Two Tigers

1760

unknown artist Moonlit Scene of Castle and Ships

unknown artist

Moonlit Scene of Castle and Ships

undated

unknown artist Battersea

unknown artist

Battersea

undated

unknown artist Copy of Man, 1549 (with Beham's monogram)

unknown artist

Copy of Man, 1549 (with Beham's monogram)

undated

Peter La Cave Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Peter La Cave, active 1769–1810

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

1799

George Richmond Portrait of Samuel Palmer, February 5, 1828

George Richmond, 1809–1896

Portrait of Samuel Palmer, February 5, 1828

1828

Francis Wheatley An Old Fisherwoman with Two Women Digging for Bait

Francis Wheatley, 1747–1801

An Old Fisherwoman with Two Women Digging for Bait

undated

Francis Wheatley Fisherfolk with Baskets and Nets

Francis Wheatley, 1747–1801

Fisherfolk with Baskets and Nets

undated

Thomas Rowlandson The Recruiting Officer

Thomas Rowlandson, 1756–1827

The Recruiting Officer

1797

unknown artist Sketch of Boats

unknown artist

Sketch of Boats

undated

Thomas Sandby A Rowing Boat

Thomas Sandby, 1721–1798

A Rowing Boat

undated

Sadanand Vyas A Parsi Priest or Adam

Sadanand Vyas, active late 18th century

A Parsi Priest or Adam

undated

Gangaram Chintaman Tambat Devotee in a Green Turban

Gangaram Chintaman Tambat, active 1790s

Devotee in a Green Turban

ca. 1790

Gangaram Chintaman Tambat Man with a Black Shawl

Attributed to Gangaram Chintaman Tambat, active 1790s

Man with a Black Shawl

undated

Sir David Wilkie A Group of Women at Mass

Sir David Wilkie, 1785–1841

A Group of Women at Mass

undated

Sadanand Vyas A Lewsa of Jettee - A Kind of Hindu Monk

Sadanand Vyas, active late 18th century

A Lewsa of Jettee - A Kind of Hindu Monk

undated

Sadanand Vyas A Gosain - A Tribe of Hindu Religious Beggars

Sadanand Vyas, active late 18th century

A Gosain - A Tribe of Hindu Religious Beggars

undated

Gangaram Chintaman Tambat Man with a Blue Cloth over his Legs

Attributed to Gangaram Chintaman Tambat, active 1790s

Man with a Blue Cloth over his Legs

undated

Gangaram Chintaman Tambat Child with a Red Cloth

Attributed to Gangaram Chintaman Tambat, active 1790s

Child with a Red Cloth

undated

Samuel Wale Guys Hospital

Samuel Wale, 1721–1786

Guys Hospital

undated

James Holland The Facade of the Royal Naval College, Greenwich

James Holland, 1799–1870

The Facade of the Royal Naval College, Greenwich

undated

Robert Mabon A Cheetah killing an Antelope

Robert Mabon, died 1798

A Cheetah killing an Antelope

undated

Gangaram Chintaman Tambat Man with Prayer Beads

Attributed to Gangaram Chintaman Tambat, active 1790s

Man with Prayer Beads

undated

Paul Sandby London Cries: Fun upon Fun

Paul Sandby, 1731–1809

London Cries: Fun upon Fun

1759

John Wilson Carmichael A Fireworks Display

John Wilson Carmichael, 1799–1868

A Fireworks Display

undated

Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

Luigi Balugani, 1737–1770

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

ca. 1768

Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Luigi Balugani, 1737–1770

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

ca. 1768

Susannah Wales, Lady Malet A Cheetah Hunting Party with Charles Warre Malet

Susannah Wales, Lady Malet, 1779–1868

A Cheetah Hunting Party with Charles Warre Malet

undated

Robert Mabon A Durbar Scene, Poona, October 3, 1792

Robert Mabon, died 1798

A Durbar Scene, Poona, October 3, 1792

1792

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817