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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 21

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William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Johann Heinrich Ramberg The Assignation
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
Thomas Smith of Derby Chiaja of Naples from Posillipo
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
Lewis Vulliamy Design for a Tudoresque Villa
Lewis Vulliamy, 1791–1871
Design for a Tudoresque Villa
undated
Lewis Vulliamy Design for a Tudoresque Villa
Lewis Vulliamy, 1791–1871
Design for a Tudoresque Villa
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
Henry Morton Gateway to Battle Abbey
Henry Morton, ca. 1807–1825
Gateway to Battle Abbey
after 1819
Thomas Malton the Younger York Water Gate
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
John Hamilton Mortimer Choir and Orchestra (A Choral Band)
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
William Payne On the Wye
Pupil of William Payne, active 1850s
On the Wye
undated
William Payne A Cave in Sunlight, with Figures
William Payne, active 1850s
A Cave in Sunlight, with Figures
1825
Michel Jean Cazabon Village of Arima and Mount Tamana
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
Thomas Girtin Ruins of the Savoy Palace, London
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
George Richmond Portrait of Samuel Palmer, February 5, 1828
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
Paul Sandby Eton College from the South
Paul Sandby, 1731–1809
Eton College from the South
undated
unknown artist View of the South Front of Hamilton Palace
unknown artist
View of the South Front of Hamilton Palace
ca. 1800
Henry Swinburne Plan of the Mesquita of Cordova
Henry Swinburne, 1743–1803
Plan of the Mesquita of Cordova
1775 to 1776
Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
James Ward Study of a Kid
James Ward, 1769–1859
Study of a Kid
1796
Henry Phillip Hope Adrian Hope's House I: Plan of the Ground Floor
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Ground Floor
undated
Louis Philippe Boitard Flight of James II
Louis Philippe Boitard, active 1734–1760
Flight of James II
undated
John Skippe Duckinfield, Cheshire
John Skippe, 1741–1812
Duckinfield, Cheshire
1772
William Lewin Warbler: Reed Wren
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
unknown artist South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
unknown artist
South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
undated
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Daniel Wilson The Chapel, Dirleton Castle, Scotland
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
James Wyatt Cobham Hall, Kent: Drawings of Windows for Parlor Floor
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawings of Windows for Parlor Floor
ca. 1790
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Giovanni Battista Borra Ruins at Pergamon, Probably of the Amphitheatre
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
Giovanni Battista Borra View of Ruins of the Asclepium at Pergamon
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
unknown artist Design for the Interior of a Room
unknown artist
Design for the Interior of a Room
undated
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
Charles Gore Lago Fucino
Charles Gore, 1729–1807
Lago Fucino
1776
Samuel Howitt Country Folk with a Child, Beside a River
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
William Lewin Falcon: Hen Krestel
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790
unknown artist Portrait of Aazim Alomra
unknown artist
Portrait of Aazim Alomra
undated
Gangaram Chintaman Tambat Praying Man
Attributed to Gangaram Chintaman Tambat, active 1790s
Praying Man
undated
Pierre-Etienne Falconet George Stubbs
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
James Holland The Facade of the Royal Naval College, Greenwich
James Holland, 1799–1870
The Facade of the Royal Naval College, Greenwich
undated
John Gendall The Hall, Rugby School
John Gendall, 1790–1865
The Hall, Rugby School
undated
William Beilby Alnwick Keep
William Beilby, 1740–1819
Alnwick Keep
undated
William Beilby Gateway Alnwick
William Beilby, 1740–1819
Gateway Alnwick
1786
William Beilby Syon House
William Beilby, 1740–1819
Syon House
undated
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
William Beilby Alnwick Castle
William Beilby, 1740–1819
Alnwick Castle
undated
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
unknown artist Paddle Steamer Near Weymouth
unknown artist
Paddle Steamer Near Weymouth
ca. 1830
Isaac Weld View of the Falls of Niagara
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
Henry William Bunbury The Prince Regent and the Moneylenders
Henry William Bunbury, 1750–1811
The Prince Regent and the Moneylenders
undated
David Allan The Highway Robbery
David Allan, 1744–1796
The Highway Robbery
undated
George Cruikshank Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
George Cruikshank, 1792–1878
Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
undated
Isaac Weld View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
Boge Raj Madhavrao Ballajirao Peshwa
Boge Raj, active eighteenth century
Madhavrao Ballajirao Peshwa
undated
James Sowerby A Vole
James Sowerby, 1756–1822
A Vole
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
Samuel Howitt Rider Leading a Second Horse, Leaving the Grounds of a Country House
Samuel Howitt, 1756–1822
Rider Leading a Second Horse, Leaving the Grounds of a Country House
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated