1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
4
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
5
John Linnell, 1792–1882
Tythrop
1817
6
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
7
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
8
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
9
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
10
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
11
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
12
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
13
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
14
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
15
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
16
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
17
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
18
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
19
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
20
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
21
John Thomas Smith, 1766–1833
The Smock Exposed
1817
22
John Thomas Smith, 1766–1833
The Reconcilation
1817
23
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
24
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
25
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
26
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
27
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
28
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
29
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
30
John Thomas Smith, 1766–1833
Original Drawings Illustrating the Life of Hogarth by J. T. Smith
1817
31
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire
1817
32
John Buckler FSA, 1770–1851
South West View of Burleigh House
1817
33
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
34
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
35
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
36
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
37
John Buckler FSA, 1770–1851
North West View of Harlaxton Manor House, Lincolnshire
1817
38
John Buckler FSA, 1770–1851
Samlesbury hall; Lancashire
1817
39
John Buckler FSA, 1770–1851
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
40
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne