Yale Center for British Art
Creator:
William Anderson, 1757–1837, British
Title:
A Frigate Awaiting a Pilot
Date:
1797
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1975.3.1090
Gallery Label:
The setting of this watercolor can be identified as the area known as the Downs, off the southeast coast of England in the county of Kent. The Downs had long been used as a safe anchorage for shipping, sheltered to the north and west by the coast, and to the east by the ten-mile-long sandbanks known as the Goodwin Sands. These and other constantly shifting shoals in the area posed a hazard to vessels and necessitated the guidance of knowledgeable pilots to navigate the passage between safe anchorage and open water. Here a frigate awaits a pilot; in Charles Brooking’s related painting Shipping in the English Channel (ca. 1755), a ship has just dropped the pilot who guided it out of the anchorage and is setting off to open sea. Gallery label for Spreading Canvas - Eighteenth-Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)