Pastel on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/2 x 25 7/8 inches (49.5 x 65.7 cm)
Inscription(s)/Marks/Lettering:
Signed and dated in brown chalk, lower right: "G.L. 1742"
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art (1993-2012)
Copyright Status:
Public Domain
Accession Number:
B2012.5
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
landscape | boat | men | arcadia | figures | river | trees | sheep | clouds
Associated Places:
Greece | Arcadia
Currently On View:
Not on view
Exhibition History:
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
Gallery Label:
George Lambert, a member of the artistic circle of William Hogarth and Francis Hayman, was the first British-born painter to devote himself entirely to landscape painting. Although he often painted topographical views, he also made idealized compositions derived from the Italian tradition. In the mid-1740s he painted a small number of landscapes in pastel, then a new departure in Britain at a time when pastels were mostly reserved for portraits. In this example, an ideal landscape opens before us to reveal two figures reclining by a river and a shepherd driving his flock toward us along the road. The scene represents a vision of happy and harmonious nature bathed in sunlight, a glimpse of a lost, golden age. Gallery label for A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)