Yale Center for British Art

Creator:
John Constable, 1776–1837, British

perhaps with assistance from John Dunthorne, 1798–1832, British
Title:
Harwich: The Low Lighthouse and Beacon Hill
Date:
ca. 1820
Materials & Techniques:
Oil on canvas
Dimensions:
13 x 20 inches (33 x 50.8 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.140
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
red | man | lighthouse | sea | ocean | walkways | landscape | boats | ships | brig | path
Associated Places:
England | Essex | Harwich | United Kingdom
Currently On View:
Not on view
Exhibition History:
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)

John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
Publications:
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 64-65, N590.2 .A83 (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 8, ND466 .G67 (YCBA)

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 26, 136, no. II.19, pl. 18, ND1354.4 H38 (YCBA)

Charles John Holmes, Constable and his influence on landscape painting, Archibald Constable and Company, Limited, Westminster, UK, 1902, opp. p. 96, Folio A N80 (YCBA)

Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 114, no. 271, NJ18 C74 A12 +H66 (YCBA)

John Constable : a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon, , National Gallery of Art, Washington, DC, 1969, pp. 24-25, no. 16, NJ18 C74 U5 (YCBA)

Charles Robert Leslie, Memoirs of the life of John Constable, R.A., The Medici Society, Ltd., London, UK, 1937, p. 170, NJ18 C74 L47 1937 (YCBA)

Leslie Parris, Constable : paintings, watercolours & drawings, , Tate Publishing, London, UK, 1976, p. 114, No. 178, fig. 178, NJ18 C74 P37 + (YCBA)

Leslie Parris, The Tate Gallery Constable collection : a catalogue, , Tate Britain, London, UK, 1981, pp. 85-88, fig. 2, NJ18 C74 P374 + (YCBA)

Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, p.47 (v.1), no. 20.9, pl. 136, NJ18 C74 R485 + (YCBA)

Michael Rosenthal, Constable, Thames and Hudson, London, UK, 1987, pp. 110-12, 135, fig. 102, NJ18 C74 R683 (YCBA)

Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, pp. 120-1, fig. 159, NJ18 C74 R68 OVERSIZE (YCBA)

Basil Taylor, Constable : paintings, drawings and watercolours, , Phaidon, London, UK, 1973, p. 196, note 20, no. 43, NJ18 C74 T39 + (YCBA)

John E. Thornes, John Constable's skies : a fusion of art and science, , University of Birmingham Press, Birmingham, UK, 1999, p. 116, NJ18 C74 T56 1999 (YCBA)
Link:
https://collections.britishart.yale.edu/catalog/tms:651