Figuring Women - The Female in Modern British Art (Yale Center for British Art, 2008-03-28 - 2008-06-08)Edgar Degas - Six Friends at Dieppe (Museum of Art, Rhode Island School of Design, 2005-09-16 - 2006-01-15)Revisiting Traditions [BAC 20th century painting & sculpture] (Yale Center for British Art, 2002-04-30 - 2005-05-18)Bloomsbury Contemporaries (Yale Center for British Art, 2000-05-20 - 2000-09-03)20th Century Paintings and Sculpture (Yale Center for British Art, 2000-01-27 - 2000-04-30)
Publications:
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 202-203, N590.2 .A83 (YCBA)Matthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-ukAdrienne Wong, Figuring women : the female in modern British art., , Yale Center for British Art, New Haven, 2008, pp. 14-15, V 1925 (YCBA)
Gallery Label:
The young Walter Sickert worked in James McNeill Whistler’s studio, even couriering Whistler’s paintings to France for exhibition in the Paris salons. In 1883, Sickert carried a letter from Whistler to Edgar Degas, who befriended the young painter. Degas’s advice and example would have a lifelong impact on Sickert. Degas encouraged Sickert to paint in places of popular entertainment, such as music halls, circuses, and at the ballet, and his influence is apparent in this daring depiction of a trapeze artist performing at the Cirque Rancy in Dieppe. Degas died in 1917, raising the possibility that this was intended as an homage, evoking Degas’s own exploration of the theme in his earlier paintings of the trapeze artist Miss La La in the Cirque Fernando.\n\n Gallery label for installation of YCBA collection, 2020