Print made by Robert Brandard, 1805–1862, Britishafter Joseph Mallord William Turner, 1775–1851, British
Title:
Between Quilleboeuf and Villequier
Date:
1834
Materials & Techniques:
Etching and line engraving, with chine collé, graphite, and scraping out; early touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, upper left: "R. 470 E.P. Early. (touched) 2"; upper center: "too dark"; lower left: "This part [...] you better take out for the outlining [...] are instrument [...] the character which is of water sailing over a shallow"; lower right: "is in a torch | [...] variety of parts in light and dark [..] of has too much of both [...] undulating of ground in xx and not to look at my [...] of the [...] they give to the parts"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.7588
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
marine art | river | landscape (environment)
Associated Places:
Seine | Normandy | France
Currently On View:
Not on view
Exhibition History:
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
Publications:
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 43, no. 176, NJ18 .T85 L44 1993 (YCBA)