Rachel Rose: Goodnight Moon (SITE Santa Fe, 2023-06-02 - 2023-09-11)The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
Kathryn Rebecca Barush, Art and the sacred journey in Britain, 1790-1850, Routledge (Taylor & Francis Group), London, New York, 2016, pp. 105, 106, fig. 3.4, N72.R4 B37 2016 (YCBA)Burlington Fine Arts Club, Exhibition of the works of William Blake, Spottiswoode & Co., London, 1876, p. 44, no. 151, NJ18 B57 B862 (YCBA)Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 24-25, N590.2 .A83 (YCBA)Jessica Dillworth, The Divine Image: Jessica Dillworth on William Blake's Virgin and Child (1825), , August 30, 2011, 0 minutes, 5 seconds, http://www.youtube.com/v/4L34YbF1m0kCatherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 5, ND466 .G67 (YCBA)Matthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-ukPainting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 199 (v.1), no. 380, pl. 14, ND466 V57 v.1-2 (YCBA)Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 53 (v.1), no. 193, pl. 5, N5220.M45 R69 1964 (YCBA)Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 45, N590.2 A82 (YCBA)Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 2 (v.1), no. 7, pl. 5, ND466 Y35 (YCBA)
Gallery Label:
The visionary artist and poet William Blake explored tempera painting in the late 1790s, calling his idiosyncratic technique “fresco.” Most of his temperas represent religious subjects, and in this late example the Virgin holds the Christ child in her lap while she raises her hands in an orans position, denoting prayer. The hieratic composition and extensive use of gold suggest Blake was emulating early Christian mosaics and Byzantine icons. The Virgin’s tears reveal her foreknowledge of Christ’s sacrificial death and her own sorrowful participation in his Passion. Gallery label for installation of YCBA collection, 2016