Etched by Joseph Mallord William Turner, 1775–1851, BritishEngraved by Charles Turner, 1774–1857, Britishafter Joseph Mallord William Turner, 1775–1851, British
Title:
Jason
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left: "6"; lower right: "5th State"; inscribed on verso in graphite, lower left: "Monogram on Front | Dr. Branford [...] | Jan 20/ 1807 | (From Allen Collection 1925); lower center: "From Turners stock | mark of sale | (State reworked [...] this state | and affect changed)"; lower right: "5th State with . in the ."
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.14029
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
warriors
Currently On View:
On view
Exhibition History:
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
Publications:
Timothy J. Barringer, Unto this last : two hundred years of John Ruskin, Yale University Press, New Haven, CT, 2019, p. 127, no. 9, NJ18.R895 .B37 2019 (LC) Oversize (YCBA)
Gallery Label:
According to Turner, all landscapes belong to one of six fundamental categories: Architectural, Historical, Marine, Mountainous, Pastoral, and Elevated Pastoral. These prints are part of a systematic publication, the Liber Studiorum (“Book of Studies”), containing examples from each of these categories. This work provides further testimony to the enduring influence of Claude Lorrain. Claude made sepia ink and wash drawings to record all his authentic compositions and brought them together to form his celebrated Liber Veritatis (“Book of Truth”). These drawings came to be seen as the epitome of the art of landscape and were later reproduced as fine mezzotints. They inspired Turner to make his own, even more ambitious equivalents. Though imitating the format and sepia coloring of Claude’s drawings, Turner’s plates were intended not as a record of his paintings but to illustrate his own original theory of landscape art. Although never completely finished, the Liber Studiorum is among the artist’s most personal and pioneering contributions to the practice of printmaking. Gallery label for J. M. W. Turner: Romance and Reality (Yale Center for British Art, March - 29, 2025 - July 27, 2025)