Sir Joshua Reynolds - experiments in paint (The Wallace Collection, London, 2015-03-12 - 2015-06-07)Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 184, 185, N590.2 .A83 (YCBA)Lucy Davis, Joshua Reynolds : experiments in paint, The Wallace Collection, London, London, 2015, pp. 156-63, no. 12, color pl and fig. 100, NJ18.R36 J6752 2015 OVERSIZE (YCBA)Elizabeth A. Fay, Fashioning faces, the portraitive mode in British romanticism , University of New Hampshire Press University Press of New England, Durham, N.H. Hanover, N.H., 2010, pp. 205-6, fig. 5.1, PR457 .F34 2009 (YCBA)Alexandra Gent, Practice Makes Perfect : Reynold's Painting Technique, National Gallery Technical Bulletin, vol. 35, National Gallery Company, 2014, pp. 14, 15, 86, 87, 107 [fn 13], Cat. No. 14 [related work], figs. 10, 186, N8554 L65 35 (CONSERVATION, YCBA) vol. 35 is entitled : " Joshua Reynolds in the National Gallery and the Wallace Collection "Matthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-ukDavid Mannings, Sir Joshua Reynolds, a complete catalogue of his paintings , Yale University Press, New Haven, 2000, v. 1, p. 394, no. 1533, v. 1, fig. 1418, NJ18 R36 A12 M35 2000 OVERSIZE (YCBA)Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 60 (v.1), no. 217, pl. 45, N5220.M45 R69 1964 (YCBA)R. J. B. Walker, Regency portraits, National Portrait Gallery, London, 1985, p. 418 (vol. 1), N1090 A592 (YCBA)Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 42 (v.1), no. 154, pl. 45, ND466 Y35 (YCBA)
Gallery Label:
Joshua Reynolds began this portrait of the prominent actress and author Mary Robinson sometime after 1783 but never completed it; a more finished version is now in the Wallace Collection, London. Robinson stares mournfully out to sea, an allusion to the fact that her lover had just fled abroad to escape his debts. X-radiography has also revealed an underlying composition: a portrait of a young woman leaning on what is likely a stone plinth adorned with a carved bas relief. It is unclear how long this early composition lay around in Reynolds’s studio, but to reuse the canvas the artist simply slashed a few strokes of dark paint across the first sitter’s face and rotated the painting 180 degrees. If you look where Mrs. Robinson’s hand should be, you can just recognize the upside-down head of the earlier sitter. Gallery label for installation of YCBA collection, 2022