So good with the humbler persons: Stubbs as portraitist / J. Egerton.--Pietro Bellotti in England and elsewhere / C. Beddington.--John Constable and the Royal Hibernian Academy in 1834, with a unpublished letter to Martin Cregan / P. McEvansoneya.--The London context and critical reception of Robert Bevan's 'The cab horse' (1910) / R. Upstone.--Powerful emotive agents: the association between Ben Nicholson and John Piper / F. Spalding.