An introduction to James McNeill Whistler's work and art theory in Japan-from the perspective of East-West exchange, with special reference to Hayashi Tadamasa, Iwamura Toru, and Kume Keiichiro -- James McNeill Whistler's introduction in Japan-focusing on the modern Japanese literary world -- Spread of Universal Beauty: James McNeill Whistler, Ernest F. Fenollosa, Kaneko Kentarō, and Charles Lang Freer -- James McNeill Whistler's tonal painting and mōrōtai -- Nihonga for the world: Modern 'nihonga' and the 'West (seiyō)' and 'Western Europe (seiō)' as relative concepts -- Japanese art exhibition in the West from the mid-nineteenth century to the early-twentieth century in Britain.
Subject Terms:
Whistler, James McNeill, 1834–1903 -- Aesthetics. | Whistler, James McNeill, 1834–1903 -- Influence. | Whistler, James McNeill, 1834–1903 -- Sources. | Art, European -- Japanese influences. | Art, Japanese -- European influences. | Whistler, James McNeill, 1834–1903. | Aesthetics. | Art, European -- Japanese influences. | Art, Japanese -- European influences. | History -- Sources. | Influence (Literary, artistic, etc.)