Yale Center for British Art

Title:
London art worlds : mobile, contingent, and ephemeral networks, 1960-1980 / edited by Jo Applin, Catherine Spencer, and Amy Tobin.
Alternate Title(s):
Mobile, contingent, and ephemeral networks, 1960-1980
Published / Created:
University Park, Pennsylvania : The Pennsylvania State University Press, [2018]
Physical Description:
ix, 234 pages : illustrations ; 25 cm.
Collection:
Reference Library
Copyright Status:
Copyright Not Evaluated
Classification:
Books
Notes:
Includes bibliographical references (pages 201-212) and index.
Contents:
Everything was connected : kinetic art and internationalism at Signals London, 1964-66 / Isobel Whitelegg -- A porous entity : the Centre for Behavioural Art at Gallery House, 1972-73 / Anthony Hudek -- Mapping the city : Felipe Ehrenberg in London, 1968-71 / Carmen Juli -- Restoring some period color to Roelof Louw's Pyramid of oranges (1967) / Joy Sleeman -- Collectivity, temporality, and festival culture in John Dugger's Quasi-architecture, 1970-74 / Courtney J. Martin -- Taking the trouble to sound it : mediating conflict in the work of Rita Donagh / Catherine Spencer -- Circulations and cooperations : art, feminism, and film in 1960s and 1970s London / Lucy Reynolds -- Project sigma : an interpersonal logbook / Andrew Wilson -- The artist as a speaker-performer : the London Art School in the 1960s-70s / Elena Crippa -- File under COUM : art on trial in Genesis P-Orridge's Mail action / Dominic Johnson.
Subject Terms:
Art -- England -- London. | Art, Modern -- 20th century. | Artists -- England -- London. | Art. | Art, Modern. | Artists. | England -- London.
Contributors:
Applin, Jo, editor. | Spencer, Catherine, 1985– editor. | Tobin, Amy, 1989– editor.