https://collections.britishart.yale.edu/catalog/tms:24423|Christ Church-College, Oxford; page 68 (Volume One)|George Barrethttps://collections.britishart.yale.edu/catalog/tms:542|Horses and Cattle by a River|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10921|Landscape Set in an Oval (Mountain Landscape Through an Oval Window)|George Barrethttps://collections.britishart.yale.edu/catalog/tms:546|Landscape with Cottagers|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10922|Landscape with Trees and Sheep (Park Landscape with Sheep)|George Barrethttps://collections.britishart.yale.edu/catalog/tms:544|Morning: Landscape with Cattle|George Barrethttps://collections.britishart.yale.edu/catalog/tms:545|Morning: Landscape with Mares and Sheep|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10923|Park Scene with Deer, Cattle, and a Group of Figures|George Barrethttps://collections.britishart.yale.edu/catalog/tms:548|Powerscourt, County Wicklow, Ireland|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10920|River Bank With High Rocks|George Barrethttps://collections.britishart.yale.edu/catalog/tms:547|River Landscape|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10918|River with Angler|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10919|The Acacia Tree - Figures in a Park|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10048|The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10924|Timber Wain on a Rough Road (one of a pair)|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10046|Tree Study|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10044|Tree Study with Stags (Landscape)|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10926|View in a Park|George Barrethttps://collections.britishart.yale.edu/catalog/tms:543|Wooded Landscape with a Boy and his Dog|George Barrethttps://collections.britishart.yale.edu/catalog/tms:10928|[Fox-Hunting]|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:24411|Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:41507|Lambeth Palace|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:70136|Mirkwood Mere|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:70137|Mirkwood Mere|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:70208|Mirkwood Mere|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:69849|Mirkwood Mere, Waiverly|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:34829|The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb|after George Barrethttps://collections.britishart.yale.edu/catalog/tms:38261|As You Like It, Act IV, Orlando and Oliver|and after George Barrethttps://collections.britishart.yale.edu/catalog/tms:44535|Evening at Rest|and after George Barrethttps://collections.britishart.yale.edu/catalog/tms:46519|The Pool at Evening|or George Barrethttps://collections.britishart.yale.edu/catalog/tms:10925|Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone|print made by George Barrethttps://collections.britishart.yale.edu/catalog/tms:10927|Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone|print made by George Barret