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Creator:
Thomas Gainsborough, 1727–1788
Title:
Landscape with Milkmaid
Former Title(s):

Landscape with Farm Buildings and Peasants

A Landscape with Figures, Farm Buildings and a Milkmaid

Landscape with Farm Buildings and Peasants
Date:
between 1754 and 1756
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 40 inches (76.2 x 101.6 cm), Frame: 38 x 49 x 3 inches (96.5 x 124.5 x 7.6 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.292
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
cattle | cows | dirt | fence | figures | genre subject | horse (animal) | landscape | man | men | milkmaid | path | peasants | pool | puddle | road | tree | village | water | woman
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:787
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Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20) [YCBA Objects in the Exhibition]

Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02) [YCBA Objects in the Exhibition]

Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26) [YCBA Objects in the Exhibition]

Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]

Canaletto to Constable : paintings of town and country from the Yale Center for British Art, , Yale Center for British Art, New Haven, Conn., 1998, pp. 12, 49, pl. 12, ND1354.4 Y25 1998 (YCBA) [YCBA]

Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 96-97, N590.2 .A83 (YCBA) [YCBA]

Matthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-uk [Website]

Penelope McElwee, The non-representation of the agricultural labourers in 18th and 19th century English paintings : an exploration into the artistic conventions followed by the aristocracy and landowning classes in representations of the agricultural labourers ..., Newcastle upon Tyne, 2016, pp. 35-36, fig. 2-5, NX650.L32 M34 2016 (YCBA) [YCBA]

Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 54 (v.1), no. 34, pl. 90, ND466 V57 v.1-2 (YCBA) [YCBA]

Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 11 (v.1), no. 33, N5220.M45 R69 1964 (YCBA) [YCBA]

Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 23 (v.1), no. 82, ND466 Y35 (YCBA) [YCBA]


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