Sonia Boyce, born 1962, British, 1930s to 1960s, 2007
- Title:
- 1930s to 1960s
- Part Of:
- Date:
- 2007
- Materials & Techniques:
- Hard and soft ground etching with spitbite aquatint
- Dimensions:
- Sheet: 30 x 20in. (76.2 x 50.8cm)
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Copyright Status:
- © The Artist
- Accession Number:
- B2008.10.8
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:59186
- Export:
- XML
- IIIF Manifest:
- JSON
This portfolio was published in 2007 to support the foundation of Rivington Place, a public gallery and community space in Shoreditch, London. Rivington Place describes itself as the UK’s "first permanent public space dedicated to diversity in the visual arts" and is housed in an award-winning building designed by David Adjaye, a British architect of Ghanaian descent. As well as hosting regular exhibitions, film screenings, talks, and performances, it is the home of the Association of Black Photographers (Autograph ABP), the International Institute of Visual Arts (Iniva), and the Stuart Hall Library. The artists selected to contribute to the portfolio were chosen for their international reputations and commitment to creating work dealing explicitly with contemporary cultural issues. Gallery label for installation of YCBA collection, 2016
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30) [YCBA Objects in the Exhibition] [Exhibition Description]
Martina Droth, Britain in the world : Highlights from the Yale Center for British Art in honor of Amy Meyers, Yale University Press, New Haven, London, 2019, p. 166, N6761 .Y33 2019 (LC) (YCBA) [YCBA]
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