- Title:
- Thomas Dawson, first Baron Dartrey (Later first Viscount Cremorne)
- Former Title(s):
Thomas Dawson, 1st Baron Dartrey (Later 1st Viscount Cremorne)
A bust of a nobleman; in marble. [1772, Royal Academy of Arts, London, exhibition catalogue]- Date:
- ca. 1771
- Materials & Techniques:
- Carrara marble on an original oval socle
- Dimensions:
- Overall: 21 1/2 × 16 1/2 × 9 1/2 inches, 110 lb. (54.6 × 41.9 × 24.1 cm, 49.9 kg)
- Inscription(s)/Marks/Lettering:
Chiseled on the reverse above socle, proper right, and with traces of black pigment: "J. Wilton Sculpt."
Chiselled within a circular band around an armorial cartouche on the front of the socle, surmounted with a Baron’s coronet: "THOMAS LORD DARTREY".
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1977.14.33
- Classification:
- Sculptures
- Collection:
- Paintings and Sculpture
- Subject Terms:
- banyan | gaze | grief | landowner | lord lieutenant | man | portrait | sorrow
- Associated People:
- Dawson, Thomas, 1st Baron Dartrey (later 1st Viscount Cremorne), 1725–1813
- Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:1478
- Export:
- XML
- IIIF Manifest:
- JSON
A series of letters between Mrs. Elizabeth Carter and Miss Catherine Talbot, from the year 1741 to 1770. : To which are added, letters from Mrs. Elizabeth Carter to Mrs. Vesey, between the years 1763 and 1787; published from the original manuscript in the possession of the Rev. Montagu Pennington, M.A. ... in four volumes., F. C. and J. Rivington, London, v. 3, pp. 366-368, 1984 249 (BEINECKE) [ORBIS]
Jean Coutu, Joseph Wilton, Oxford Dictionary of National Biography, Oxford Dictionary of National Biography, 2004, Available online: DNB [ORBIS]
Martina Droth, Britain in the world: Highlights from the Yale Center for British Art in honor of Amy Meyers, Yale University Press, New Haven, London, p. 65, p. 67 (detail), N6761 .Y33 2019 (LC) (YCBA) [YCBA]
Edward Duffy, Rousseau in England : the context for Shelley's critique of the Enlightenment, University of California Press, Berkeley, CA, p. 29, PQ2042.5 D8 (SML) [ORBIS]
Georgian Monuments in Irish Churches, Country Life, v. 134, November 7, 1963, pp. 1174-1176, fig. 2, Uzfe60 C83+ (LSF - Mudd) not available at YCBA [ORBIS]
Amy Meyers, Modesty and Munificence, Apollo, v. 165, no. 542, April 2007, p. 28, N1 A54 + (YCBA) [YCBA]
Homan Potterton, Irish church monuments, 1570-1880, Ulster Architectural Heritage Society, Belfast, 1975, pp. 64-65, 87-88, figs. 53-54, NB1880 I7 P67 + (LSF) not available at YCBA [ORBIS]
Ingrid Roscoe, A biographical dictionary of sculptors in Britain, 1660-1851, Yale University Press, New Haven, CT, 2009, p. 1392, no. 121, NB496 B56 2009 (YCBA) (Wall Shelf 3) Yale electronic resource also available online: Orbis [YCBA]
John Thomas Smith, Nollekens and His Times, vol. 2, H. Colburn, London, p. 174, NB497 N8 S7 1828 (YCBA) [YCBA]
The silent rhetoric of the body : a history of the monument and commemorative art in England, 1720-1770, Yale University Press, New Haven, CT, p. 185, NB1803.G7 C73 2007 (YCBA) [YCBA]
Angus Trumble, The Marble Bust, Yale Center for British Art, New Haven, 2004, no. 15, V 1304 (YCBA) [YCBA]
Giles Waterfield, Mr. Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, pp. 69, 71, V 1905 (YCBA) [YCBA]
Ellis Waterhouse, Sculpture from the Paul Mellon Collection at the British Art Center at Yale, Burlington Magazine, vol. 119, May 1977, p. 351, fig. 56, N1 +B87 Oversize (YCBA) [YCBA]