Spalding, Frances, 1950-, The real and the romantic , 2023
- Title(s):
- The real and the romantic : English art between two world wars / Frances Spalding.
- Published/Created:
- New York : Thames & Hudson Ltd, 2023.
©2022 - Physical Description:
- 384 pages : illustrations (chiefly color) ; 26 cm
- Holdings:
- Reference LibraryN6768 .S674 2023 (LC)Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email ycba.reference@yale.edu] - Full Orbis Record:
- http://hdl.handle.net/10079/bibid/16787409
- Classification:
- Books
- Notes:
- Originally published in the United Kingdom in 2022 by Thames & Hudson Inc.
Includes bibliographical references and index.
"The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names - Paul Nash, Eric Ravilious and Stanley Spencer - have reached new audiences. High-profile exhibitions have attracted record breaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britain's leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cezanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of 'the real' was set against, and sometimes merged with, an inclination towards the 'romantic', as English artists sought to respond to their subjects and their times"--Publisher's description. - Subject Terms:
- ART / General.Art, English -- 20th century.Art, English.Great Britain -- Social life and customs -- 1918–1945.Great Britain.Manners and customs.
- Form/Genre:
- Illustrated works.
Ouvrages illustrés. - Export:
- XML
- Pitiless realism
- Resistance and innovation
- On the move
- Landscape and places of the mind
- Beginning again
- 'What ho! Giotto': Stanley Spencer at Burghclere
- Expanding the Western European tradition
- Make it real
- Revivalism
- Modern art in a philistine world
- The austere, the violent or the strange
- The Spanish Civil War, Mondrian in London and Neo-romanticism.