The broad spectrum , 2002
- Title(s):
- The broad spectrum : studies in the materials, techniques, and conservation of color on paper / edited by Harriet K. Stratis and Britt Salvesen.
- Published/Created:
- London : Archetype Publications, 2002.
- Physical Description:
- viii, 263 pages : illustrations (some color) ; 31 cm
- Holdings:
- Reference Library TS1109 .B755 2002 (LC)Accessible in the Reference Library [Hours]
- Full Orbis Record:
- http://hdl.handle.net/10079/alma/9962106643408651
- Related Content:
- Table of contents
Table of contents
Table of contents
Table of contents - Classification:
- Books
- Notes:
- Includes bibliographical references.
"This comprehensively illustrated volume represents a unique collection of expertise and will be of interest to art historians and curators as well as researchers, practitioners and students of conservation."--Amazon. - Subject Terms:
- Art -- Conservation and restoration -- Congresses.Art -- Conservation and restoration.Art -- Technique -- Congresses.Art -- Technique.Paper -- Preservation -- Congresses.Paper -- Preservation.Pigments -- Preservation -- Congresses.Pigments -- Preservation.
- Form/Genre:
- Conference papers and proceedings.
Konferenzschrift -- 1999 -- Chicago Ill. - Export:
- XML
- Chapter 1, Pastel and chalk: An aesthetic overview of the pastel palette: 1500-1900 / Marjorie Shelley
- Distinguishing between chalk and pastel in early drawings / Thea Burns
- Making up the face: technique and meaning in the pastels of Rosalba Carriera / Thea Burns
- Materials, methods, and meanings in Edgar Degas's late pastels / Richard Kendall
- An investigation of the pastels of Giuseppe De Nittis and the pastel revival of the later nineteenth century / Anne F. Maheux
- James McNeill Whistler: the color of line / Margaret F. MacDonald
- Blues and browns and drabs: the evolution of colored papers / Peter Bower
- Housing a pastel collection at the National Archives of Canada, pt. 1: Pick it up ... and move it out / Gilbert L. Gignac and Gregory J. Hill
- pt. 2: God is in the details: the conservation treatment of early Canadian pastels / Maria Bedynski and Gregory J. Hill.
- Chapter 2, Watercolour and ink: Cause and effect in the historical development of watercolor / Marjorie B. Cohn
- Observations on the fucnctions of watercolors and pastels in Italian renaissance drawings / Thomas McGrath
- The history and technology of renaissance and baroque hand-colored prints / Susan Dackerman and Thomas Primeau
- The analysis of watercolor materials, in particular Turner's watercolors at the Tate Gallery (1790s t0 1840s) / Joyce H. Townsend
- Paul Cézanne's watercolors: his choice of pigments and papers / Faith Zieske
- Winslow Homer's watercolor pigments / Barbara Berrie, Yoonjoo Strumfels, and Carol Tolocka
- The history and use of colored inks / Carlo James
- Aging of paper and pigments containing iron and copper: a review / Vincent Daniels
- Effects of aqueous treatment on iron-gall ink, monitoring iron migration with the iron (II) indicator test / Elmer Eusman
- All the colors of white: the changing nature of white papers / Peter Bower.
- Chapter 3, Nineteenth and twentieth century materials: In the kitchen with Paul Gauguin: devising recipes for a symbolist graphic aesthetic / Peter Kort Zegers
- The use and misuse of distemper in the works of Edouard Vuillard: a curator's view / Gloria Groom
- : A conservator's view / Faye T. Wrubel
- The treatment of two Karel Appel gouaches / Piet van Dalen and Gabriëlle Beentjes
- Daylight flourescent colors as artistic media / Margaret Holben Ellis, Christopher W. McGlinchey, and Esther Chao
- Assessing the impact of storage environments on the color transfer of felt-tipped pen on paper / Barbara Rosenberg
- The preservation and conservation of ink jet and electrophotographic printed materials / Debbie Glynn
- On material(ism) or Why painting conservators have all the fun / Daria Keynan.
- Chapter 4, The materials of Asian art: Color as language in traditional Japanese prints / Roger S. Keyes and Elizabeth I. Coombs
- Aqueous treatment of Ukiyo-e prints of the Edo period: three case studies /Pamela de Tristan
- Painted Japanese screens: the consolidation of paint layers on a paper substrate / Sandra Grantham and Alan Cummings
- The conservation of a set of Japanese Fusuma / Mitsuhiro Abe and Sydney Thomson
- Chinese color printing technology and history in the Ten Bamboo Studio Manual of Painting and Calligraphy / M. Brigitte Yeh
- Indian paintings on paper, textiles, and mica: conservation, storage, and display / Mike Wheeler, Pauline Webber, Anna Hillcoat-Imanishi, and Clair Battisson.
- Chapter 5, The assessment of fading: Statistics without anesthesia: interpreting color data / Roy Perkinson
- The use of the X-Rite Colortron for color measurement of watercolors / Barbara J. Mangum and Arlen Heginbotham
- Pursuing the fugitive: direct measurement of light sensitivity with micro-fading tests / Paul M. Whitmore
- The user's point of view: micro-fading test results and the shaping of exhibition policy / Craigen Bowen, Barbara J. Mangum, and Meredith Montague.