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1001. Cobham Hall, Kent: Section and Ceiling Plan of the Dairy

Cobham Hall, Kent: Section and Ceiling Plan of the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 21 1/2 inches (34.3 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1002. Cobham Hall, Kent: Plan of Dairy

Cobham Hall, Kent: Plan of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 5/8 x 21 7/8 inches (34.6 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1003. Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy

Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 22 1/2 inches (35.6 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1004. Cobham Hall, Kent: Elevation of the Dairy

Cobham Hall, Kent: Elevation of the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite and pen and black and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/4 x 21 1/2 inches (33.7 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1005. Cobham Hall, Kent: Windows in Dairy

Cobham Hall, Kent: Windows in Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/4 × 21 1/2 inches (34.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1006. Cobham Hall, Kent: Ceiling of Vestibule

Cobham Hall, Kent: Ceiling of Vestibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1007. Cobham Hall, Kent: Section of Dairy

Cobham Hall, Kent: Section of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 × 23 1/4 inches (35.6 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1008. Bridport, Dorsetshire

Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1009. Coombe-Martin, Devonshire

Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1010. Crichton Castle

Crichton Castle
Creator:
Print made by George Cooke, 1781–1834
Date:
1822
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1011. Tantallon Castle

Tantallon Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1822
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1012. Bell Rock Lighthouse

Bell Rock Lighthouse
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1824
Materials & Techniques:
Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1013. Bass Rock

Bass Rock
Creator:
Print made by William Miller, 1796–1882
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1014. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1015. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1827
Materials & Techniques:
Etching and line engraving; 1st published state, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1016. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1017. Folkestone Harbour and Coast to Dover

Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1018. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1019. Folkestone Harbour and Coast to Dover

Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1020. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1021. A View of Core's Library, Dawlish, Devon

A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1022. Berwick-upon-Tweed

Berwick-upon-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1023. Monument to Jennett Hamilton, Chelsea Church

Monument to Jennett Hamilton, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, white gouache, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1024. Memorial to Henry Powell and his Daughter, Elizabeth, also of Marianne, George and John Hay Drummond

Memorial to Henry Powell and his Daughter, Elizabeth, also of Marianne, George and John Hay Drummond
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1025. Memorial to Charles Barnevett from Chiswick Church

Memorial to Charles Barnevett from Chiswick Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1026. Tomb of William Hogarth and Mrs. Jane Hogarth from Chiswick

Tomb of William Hogarth and Mrs. Jane Hogarth from Chiswick
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1027. Memorial to John Bowman and to Edward Vaughen from Ealing Church

Memorial to John Bowman and to Edward Vaughen from Ealing Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1028. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1812
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1029. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Etching; open etched state, touched proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 5/8 inches (21.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1030. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 16 7/8 inches (29.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1031. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1032. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Line engraving and etching, first published state on thick, smooth, beige wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1033. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving and etching, engraver's proof (a) on moderately thick, smooth, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1034. Lyme Regis, Dorsetshire

Lyme Regis, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1035. Lyme Regis, Dorsetshire

Lyme Regis, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 5/8 inches (28.9 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1036. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1037. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1038. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1039. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1040. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1041. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1042. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1043. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1044. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814-1826
Materials & Techniques:
Etching and line engraving; intermediate state between completed engraver's proof and 1st state on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1045. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1046. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Etching, engraving, and white gouache; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1047. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1048. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Line engraving and etching; engraver's proof (5a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1049. Lyme Regis, Dorsetshire

Lyme Regis, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1050. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and line engraving; 1st state, engraver's proof (2a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1051. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1052. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1053. Durham Cathedral

Durham Cathedral
Creator:
Print made by S. Porter, active 1802
Date:
1802
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1054. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1055. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving; touched engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1056. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1057. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1058. Ilfracombe, North Devon

Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1059. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1060. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1061. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1062. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1063. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Miller, 1796–1882
Date:
1820
Materials & Techniques:
Etching and line engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1064. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1815
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1065. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1066. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1067. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1068. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1069. The West Door, Rochester Cathedral, Kent

The West Door, Rochester Cathedral, Kent
Creator:
Frederick Mackenzie, 1788–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 7 3/8 inches (14.8 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1070. The Mansion House

The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1071. The Rotunda and Gardens, Ranelagh

The Rotunda and Gardens, Ranelagh
Creator:
John Maurer, active 1713–1761
Date:
ca. 1744
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 16 11/16in. (25.4 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1072. View in Wales

View in Wales
Creator:
attributed to Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card
Dimensions:
Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Wilmarth Lewis, Yale BA 1918, transfer from the Yale University Art Gallery

1073. Broad Street, Oxford

Broad Street, Oxford
Creator:
John Malchair, 1730–1812
Date:
ca. 1790
Materials & Techniques:
Watercolor, charcoal and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 17 7/8 inches (30.5 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1074. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
John Malchair, 1730–1812
Date:
after 1794
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 13 15/16in. (22.2 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1075. Christ Church, Oxford

Christ Church, Oxford
Creator:
John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 7 3/8in. (22.9 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1076. Bromley Hill, Kent

Bromley Hill, Kent
Creator:
Amelia Long, 1762–1837
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1077. On the Cam . . . back of St. John's College, Cambridge

On the Cam . . . back of St. John's College, Cambridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1078. Addington Place, Surrey

Addington Place, Surrey
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1079. On the Colne, Middlesex

On the Colne, Middlesex
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 5/16 inches (16.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1080. The Quadrangle of the Royal Exchange

The Quadrangle of the Royal Exchange
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 8 1/2 inches (14.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1081. Kingston Lacy, Dorset

Kingston Lacy, Dorset
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Brown wash, graphite, and white gouache with pen and brown ink on medium, slightly textured cream wove paper mounted on very thick, smooth, card
Dimensions:
Sheet: 3 9/16 × 5 3/16 inches (9 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1082. The City and St. Paul's from the South Bank

The City and St. Paul's from the South Bank
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1083. Fountain's Boarding School, Marylebone

Fountain's Boarding School, Marylebone
Creator:
James Miller, active 1773–1814
Date:
1780
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:
Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1084. Argyll Concert Rooms, Regent Street, London: Perspective

Argyll Concert Rooms, Regent Street, London: Perspective
Creator:
John Nash, 1752–1835
Date:
between 1810 and 1820
Materials & Techniques:
Watercolor over graphite on medium, smooth, white wove paper
Dimensions:
Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1085. Landing of William of Orange at Tor Bay

Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1086. Staithes, Yorkshire

Staithes, Yorkshire
Creator:
Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1087. Lewes Bridge, Sussex

Lewes Bridge, Sussex
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1088. Apsley House and Piccadilly ... from Hyde Park Corner

Apsley House and Piccadilly ... from Hyde Park Corner
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1089. On the Sands at Brighton: Figures Walking on the Shore

On the Sands at Brighton: Figures Walking on the Shore
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 inches (14.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1090. City of Bath

City of Bath
Creator:
Francis Place, 1647–1728
Date:
1678
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1091. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1092. Old Buildings at Hastings

Old Buildings at Hastings
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 3/16 inches (21.9 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1093. East Side of Sheriff Hutton Castle

East Side of Sheriff Hutton Castle
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1094. View from Ashton Meadows, Bristol

View from Ashton Meadows, Bristol
Creator:
Nicholas Pocock, 1740–1821
Date:
1791
Materials & Techniques:
Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1095. Dunster Castle, Somerset: Showing Castle in Distance

Dunster Castle, Somerset: Showing Castle in Distance
Creator:
Joseph Powell, 1780–1834
Date:
undated
Materials & Techniques:
Sepia wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 9/16in. (27.3 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1096. Lambeth Palace from Across the River

Lambeth Palace from Across the River
Creator:
Thomas Priest, active 1738–1750
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1097. Farningham, Kent

Farningham, Kent
Creator:
Benjamin Thomas Pouncey, active 1772–1799
Date:
1784
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1098. Kingsteignton, Devon

Kingsteignton, Devon
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1819
Materials & Techniques:
Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1099. Ruskin's Residence, "Brandtwood", from Lake Coniston

Ruskin's Residence, "Brandtwood", from Lake Coniston
Creator:
Arthur Severn, 1842–1931
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. James T. Babb

1100. Edinburgh Castle and Horse Fair

Edinburgh Castle and Horse Fair
Creator:
Walter Geikie, 1795–1837
Date:
ca. 1828
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection