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William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Sell Cotman The Norfolk Broads
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
John Sell Cotman Castle in a Landscape
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
Peter DeWint Malmesbury Abbey
attributed to Peter DeWint, 1784–1849
Malmesbury Abbey
undated
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
Thomas Bradshaw Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
William Callow Mont-Valérien from Bois de Boulogne
William Callow, 1812–1908
Mont-Valérien from Bois de Boulogne
1834
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
John Warwick Smith Matlock High Tor
John Warwick Smith, 1749–1831
Matlock High Tor
1784
John Varley River, Trees and Distant Town
John Varley, 1778–1842
River, Trees and Distant Town
undated
Richard Wilson Ruined Temple of Minerva?, Two Figures on River Bank
Richard Wilson, 1713/4–1782
Ruined Temple of Minerva?, Two Figures on River Bank
undated
James Barry Rome, A View of the Arch of Constantine with Other Ruins
James Barry, 1741–1806
Rome, A View of the Arch of Constantine with Other Ruins
undated
Joseph Powell In Borrowdale
Joseph Powell, 1780–1834
In Borrowdale
undated
John Varley Landscape in Wales with Castle, Lake, and Rocky Foreground
pupil of John Varley, 1778–1842
Landscape in Wales with Castle, Lake, and Rocky Foreground
1815
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
Francis Oliver Finch Classical Landscape with Figures
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
Benjamin West Windsor Great Park from the Castle Terrace
Benjamin West, 1738–1820
Windsor Great Park from the Castle Terrace
undated
Sir Richard Westmacott The Good Samaritan
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Joseph Wright of Derby Rocky Landscape with Waterfalls
Joseph Wright of Derby, 1734–1797
Rocky Landscape with Waterfalls
undated
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
unknown artist Pile Driving on the Banks of the Thames
unknown artist
Pile Driving on the Banks of the Thames
undated
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
Francis Place Dunbar Castle and the Bass Rock
attributed to Francis Place, 1647–1728
Dunbar Castle and the Bass Rock
undated
Richard Wilson Temple of Minerva Medica, Rome
Richard Wilson, 1713/4–1782
Temple of Minerva Medica, Rome
1754
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
Cornelius Varley Muckross Abbey, Killarney
Cornelius Varley, 1781–1873
Muckross Abbey, Killarney
1808
Louis Philippe Boitard View near Aldenham, Herts
Louis Philippe Boitard, active 1734–1760
View near Aldenham, Herts
undated
Sir George Howland Beaumont seventh Baronet The Picnic
attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827
The Picnic
undated
Thomas Shotter Boys The Pont des Arts, Paris
Thomas Shotter Boys, 1803–1874
The Pont des Arts, Paris
between 1831 and 1837
William Callow Versailles
William Callow, 1812–1908
Versailles
1833
Thomas Burford A Country Stile
Thomas Burford, ca. 1710–after 1774
A Country Stile
ca. 1710
William Turner of Oxford Oxford, Folly Bridge
William Turner of Oxford, 1789–1862
Oxford, Folly Bridge
undated
Richard Westall Wanstead House
Richard Westall, 1765–1836
Wanstead House
undated
James Lambert of Lewes Herstmonceux Castle, East Sussex: South East View
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: South East View
undated
James Ward A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade
James Ward, 1769–1859
A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade
1814
James Ward A Farm amongst Trees
James Ward, 1769–1859
A Farm amongst Trees
undated
James Ward Aberdulais Mill, Glamorganshire
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
undated
unknown artist Battersea Bridge
unknown artist
Battersea Bridge
undated
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
John Varley View on the Thames at Battersea
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
Benjamin West Road Scene in Windsor Forest
Benjamin West, 1738–1820
Road Scene in Windsor Forest
undated
Benjamin West Mountainous Landscape with Figures
attributed to Benjamin West, 1738–1820
Mountainous Landscape with Figures
undated
Sir David Wilkie Garden of Gethsemane
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
William Wyld View of Gibraltar
William Wyld, 1806–1889
View of Gibraltar
undated
Richard Wilson Castell Dinas Brân, Wales
Richard Wilson, 1713/4–1782
Castell Dinas Brân, Wales
ca. 1771
Agostino Aglio the elder An Imaginary Design for a Monument to Lord Nelson
Agostino Aglio the elder, 1777–1857
An Imaginary Design for a Monument to Lord Nelson
1805
Paul Sandby Conway Castle
Paul Sandby, 1731–1809
Conway Castle
1789
Paul Sandby Romantic Landscape with Figures and a Dog
Paul Sandby, 1731–1809
Romantic Landscape with Figures and a Dog
undated
John Thirtle Richmond Castle, Yorkshire
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
Decimus Burton Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Decimus Burton, 1800–1881
Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
undated
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
James Lambert of Lewes Herstmonceux Castle, East Sussex: South West View
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: South West View
undated
James Lambert of Lewes Herstmonceux Castle, East Sussex: The North Front
James Lambert of Lewes, 1725–1788
Herstmonceux Castle, East Sussex: The North Front
undated
Jan Wyck Staghunt
Jan Wyck, ca. 1645–1700
Staghunt
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
John Varley London from the South West
John Varley, 1778–1842
London from the South West
1831
William Henry Pyne Old London, View from St. James Park Looking East
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
Paul Sandby Halfway House, Sadler's Wells
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
William Callow Garden Stair, Haddon Hall
William Callow, 1812–1908
Garden Stair, Haddon Hall
1849
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
Robert Hills Studies of Farmhouses by a Gate, Ploughing and Harrows
Robert Hills, 1769–1844
Studies of Farmhouses by a Gate, Ploughing and Harrows
undated
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
F. Norice Greenwich, London in the Distance
F. Norice, 19th century
Greenwich, London in the Distance
undated
F. Norice Windsor Castle From the Long Walk
F. Norice, 19th century
Windsor Castle From the Long Walk
undated
John Massey Wright Mrs. Martha Udney
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated