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Subject Terms passage

1. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 12 inches (47 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cobham Hall, Kent: Unidentified Plan for a Passage

Cobham Hall, Kent: Unidentified Plan for a Passage

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:: Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Passage to the Grand Chartreuse

Passage to the Grand Chartreuse

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 1/2 inches (18.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View of a Passage Cut into a Hillside

View of a Passage Cut into a Hillside

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/8 x 15 inches (53.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Brown wash and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. An Arched Entrance into a Ruined Building

An Arched Entrance into a Ruined Building

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Cleft in a Formation of Rocks

Cleft in a Formation of Rocks

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink with wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection