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1. Kangchenjunga from Darjeeling

Kangchenjunga from Darjeeling
Creator:
Edward Lear, 1812–1888
Date:
1879
Materials & Techniques:
Oil on canvas
Dimensions:
47 1/8 x 72 inches (119.7 x 182.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:
Not on view

2. The Picnic

The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background

A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hon. Mr. Leicester Stanhope

Hon. Mr. Leicester Stanhope
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 7 7/8 inches (28.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. A Negroes Dance in the Island of Dominica

A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 5/16 x 19 7/8 inches (33.8 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Swain's Amusement

The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 9 3/16 inches (33.7 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. The Infant

The Infant
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. A Negroes Dance in the Island of Dominica

A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Swain's Amusement

The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Soldiers in St. James Park

Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Waggoner's Rest

The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Review in a Market Place

A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection