The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
James Gillray, 1756–1815
The Republican - Attack
1795
3
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
4
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
5
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
6
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
7
James Gillray, 1756–1815
A Man of Importance
1799
8
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
9
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
10
James Gillray, 1756–1815
Independence
1799
11
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
12
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
13
James Gillray, 1756–1815
A Portrait ------------
1799
14
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
15
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
16
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
17
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
18
James Gillray, 1756–1815
A Hackney Meeting
1796
19
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
20
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
21
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
22
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
23
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
24
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
25
James Gillray, 1756–1815
Patience on a Monument
1791
26
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
27
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
28
James Gillray, 1756–1815
A Uniform Whig ---
1791
29
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
30
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
31
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
32
James Gillray, 1756–1815
The Royal Academy
1786
33
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
34
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
35
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
36
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
37
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
38
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
39
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
40
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
41
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
42
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
43
Print made by unknown artist
Proteus ye 2d in Sev'ral Among his Many Publick Characters
1784
44
Print made by Isaac Cruikshank, 1764–1811
The Ghost's, or the Taylor Befrited &c. &c. A German Story
1790
45
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
46
Print made by unknown artist
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
1787
47
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
48
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
49
James Gillray, 1756–1815
Destruction of the French Collossus
1798
50
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
51
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
52
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
53
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
54
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
55
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
56
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
57
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
58
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
59
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
60
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
61
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
62
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
63
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
64
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
65
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
66
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
67
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
68
James Gillray, 1756–1815
The Friendly Agent
1787
69
James Gillray, 1756–1815
The Bubbles of Opposition
1788
70
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
71
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
72
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
73
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
74
James Gillray, 1756–1815
John Bull Triumphant
1780
75
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
76
James Gillray, 1756–1815
The Triumphant Britons
1780
77
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
78
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
79
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
80
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
81
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
82
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
83
James Gillray, 1756–1815
Jack A Both Sides!
1783
84
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
85
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
86
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
87
Print made by unknown artist
H-st-gs ho, rare H-st-gs! What a Man Buys He May Sell
1788
88
Print made by unknown artist
The Siphons or Tale of a Tub
1783
89
James Gillray, 1756–1815
The English Regency
1789
90
James Gillray, 1756–1815
The Battle of Bow-Street
1788
91
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
92
Print made by unknown artist
The Restricted Regency
1789
93
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
94
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---