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1
- The Liberation of St Peter
- 1617
- Not on view
2
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
3
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
4
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
5
- The Angel (Plate 40)
- 1794
6
- Aged Ignorance (Plate 13)
- 1793
7
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
8
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
9
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
10
- Infant Joy (Plate 28)
- 1789
11
- Songs of Experience, Frontispiece (Plate 32)
- 1794
12
- Frontispiece, Europe. A Prophecy
- ca. 1820
13
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
14
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
15
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
16
- Aged Ignorance (Plate 13)
- 1826
17
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
18
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
19
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
20
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
21
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
22
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
23
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
24
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
25
- Fame (Design 93)
- between 1797 and 1798
26
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
27
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
28
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
29
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
30
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
31
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
32
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
33
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
34
- The Divine Image (Plate 12)
- 1789
35
- Infant Joy (Plate 14)
- 1789
36
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
37
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
38
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
39
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
40
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
41
- Satan Approaching the Court of Chaos
- 1784 to 1785
42
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
43
- An Angel with a Trumpet
- between 1805 and 1808
44
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
45
- Design for the Brass Eagle Lectern Base
- 1846
46
- An Angel
- undated
47
- Tobit and the Angel
- undated
48
- Christus Crucifixus
- undated
49
- Angel
- undated
50
- Allegory of Sea Trades
- undated
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
51
- Scenes from an Eastern Romance [Arabian Nights]
- undated
52
- Brass Chrism of Constance Bownell and her Baby from Heston Church
- 1796-1811
53
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
54
- The Angel and Tobias (Number 7)
- 1815
55
- Winged Figure Slaying a Bull
- undated
56
- Annuciation
- undated
57
- S. Matthaus
- undated
58
- Annunciatio Beatae Mariae Virginis
- undated
59
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
60
- Joshua and the Angel (Joshua 5:13)
- before 1835
61
- Peter Delivered out of Prison by an Angel
- undated
62
- Tobit and the Angel
- undated
63
- Madonna, Child, and Angel
- undated
64
- Tobit and the Angel
- undated
65
- Madonna, Child, and Angel
- undated
66
- Tobit and the Angel
- undated
67
- The Death of the Good Old Man
- 1808, published 1813
68
- James Beattie, LL.D
- 1805
69
- Tobias and the Angel
- ca. 1685
70
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
71
- Venus and Cupid
- undated
72
- St. Nil
- 1762
73
- The Pool of Bethesda
- 1772
74
- Geometrical Plan of his Majesty's Dockyard, near Plymouth
- 1756
75
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
76
- Pandemonium
- 1831
![Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]](https://media.collections.yale.edu/thumbnail/ycba/49ba2771-60ca-4132-93a1-53388679a50e)
77
- Notre Dame, Dinant [Belgian Set: No. 8]
- 1907
78
- Glasgow Exhibition: From the Dome
- 1901
79
- Cupid and Psyche
- ca. 1870
80
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
81
- Frontispiece: The Progress of a Midshipman
- 1820
82
- Fallen Angel or Figure for the Flood
- undated
83
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
84
- From the Dome
- 1901
85
- The Archangel Gabriel Awaiting Night
- ca. 1799
86
- Young Angel
- undated
87
- Nicholas Nixon
- 2004
88
- Appearance of Angel Above Standing Figures?
- undated
89
- Flight into Egypt
- undated
90
- Two Designs for Ecclesiastical Niches
- undated
91
- School of St. Rocco, Venice, Study of Curved Decoration
- ca. 1835
92
- Paul Before Felix Burlesqued
- 1751
93
- The Sacrifice of Isaac
- undated
94
- Tobias and the Angel
- undated
95
- Statoribus Artis
- between 1708 and 1722
96
- Statoribus Artis
- between 1708 and 1722
97
- The Judgement of Paris
- 1680s to 1690s
98
- Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville
- 1770
99
- The Day of Judgment
- 1808
100
- The Meeting of a Family in Heaven
- 1808